Books in the Naomi B. Pascal Editor's Endowment series

Born in 1904, the author grew up hearing the elders of her tribe tell of the hardships involved in moving from their villages to the reservation on Tulalip Bay. This book describes her life on the Tulalip Reservation and recounts the myriad problems tribes faced after resettlement.

Decades after its initial publication, Symbolic Immortality retains its status as the most comprehensive analysis of the mortuary practices of the Tlingit Indians of southeastern Alaskaor any other indigenous culture of the Northwest Coast. This updated and expanded edition furthers our understanding of the potlatch (koo.ex) as a total social phenomenon, with emotional and religious as well as economic and sociopolitical dimensions. The result is a major contribution to both Northwest Coast ethnology and theoretical literature on the anthropology of death.

Fieldwork Connections tells the story of the intertwined research histories of three anthropologists working in Liangshan Yi Autonomous Prefecture, Sichuan, China in the late twentieth century. Chapters are written alternately by a male American anthropologist, a male researcher raised in a village in Liangshan, and a highly educated woman from an elite Nuosu/Chinese family. As decades of mutual ethnographic research unfold, the authors enter one another's narratives and challenge the reader to ponder the nature of ethnographic truth.The book begins with short accounts of the process by which each of the authors became involved in anthropological field research. It then proceeds to describe the research itself, and the stories begin to connect as they become active collaborators. The scene shifts in the course of the narrative from China to America, and the relationship between the authors shifts from distant, wary, and somewhat hierarchical to close, egalitarian, and reciprocal.The authors share their histories through personal stories, not technical analyses; their aim is to entertain while addressing the process of ethnography and the dynamics of international and intercultural communication.

"e;I walked across the highway and stood on the bank overlooking Lake Roosevelt. My attention was directed to the area where Kettle Falls once flowed. As I stood there the wind came. As I listened I imagined that it talked to me. It seemed that it was telling me of how things once were. I began to think of friends and relatives who were no longer living. They began to appear before me, perched on the large rocks, fishing for the great salmon."e;In his distinctive voice, Lawney Reyes, grandson of Pic Ah Kelowna or White Grizzly Bear of the Sin Aikst, relates the history of his family and his people. The Sin Aikst are now known as the Lakes tribe, absorbed into the Colville Confederated Tribes of eastern Washington. And where Kettle Falls once flowed and the Sin Aikst once fished are places that exist now only in memory, flooded when the Grand Coulee Dam was completed in 1942. Reyes uses personal and family history to explore the larger forces that have confronted all Native Americans: displacement, acculturation, and the potent force of self-renewal.The son of a Filipino immigrant and a mother who traced her ancestry to the earliest known leaders of the Sin Aikst, Reyes paints a vivid picture of his early life in the Indian village of Inchelium, destroyed by the building of the dam. Reyes describes the loss of homeland and traditional ways of life, the scarcities that followed, and the experiences of a court-ordered Indian boarding school in Oregon. These well-known facts of loss and injustice take on a compelling dimension in Reyess blend of history and autobiography, brought to life by the vivid images and personalities he describes.Despite the loss of heritage beneath the waters of the Columbia River and the flood of white acculturation, Reyes and his younger brother, the late Native American leader Bernie Whitebear, were able to fashion rich lives in a changed world, lives that honor the past while engaging with the present.

B Street tells intimate stories about the street of shops, restaurants, bars, and brothels where the workmen who built the Grand Coulee Dam spent their recreational hours and wages. From the beginning, B Street was the place to play and let off steam for the white workingmen who had faced the hard times of the Depression. It was a raucous playground that denied blacks and most dark-skinned Indians access to the frivolity, good times, and pretty ladies that were the main attractions of that provocative place.This vivid story of a colorful era is based largely on the memories of Lawney L. Reyes. As a young boy he wandered B Street with his little sister, Luana, and their dog, Pickles, while their Indian mother and Filipino father eked out a living running a Chinese restaurant. His mother's diary and the stories told by his parents and older members of the Sin-Aikst tribe contribute to his story.Reyes tells of hard times, dreams, and extreme courage and reveals the humor, toughness, and recklessness of the adventurers who came to work on the dam. He also describes the history and culture of the Indians whose villages were flooded and whose way of life was irrevocably changed by the building of the Grand Coulee Dam.

Bill Holm is internationally recognized as a leading expert on Northwest Coast, Plateau, and Plains Indian art. This book presents 49 full-color reproductions of Bill Holm's paintings of traditional Indian scenes, produced since the 1950s.