Books in the New Accents series

This volume is concerned with the UK's postwar, music-centred, white working-class subcultures, from teddy boys to mods and rockers to skinheads to punks.

First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

Shlomith Rimmon-Kenan addresses key approaches to narrative fiction, from New Criticism to Phenomenology, but also offers views on and modifications to these theories.

Keir Elam showed how this new 'science' could provide a radical shift in our understanding of theatrical performance, one of our very richest and most complex forms of communication.

Working through the issue of representation, in art forms from fiction to photography, Linda Hutcheon sets out postmodernism's highly political challenge to the dominant ideologies of the western world.

This was the first major theoretical account of a wide range of post-colonial texts and their relation to the larger issues of post-colonial culture, and remains one of the most significant works published in this field.

This book examines the strengths and limitations of the two main strands in feminist criticism, the Anglo-American and the French, paying particular attention to the works of Cixous, Irigaray and Kristeva.

While in no way oversimplifying its complexity or glossing over the challenges it presents, Norris's book sets out to make deconstruction more accessible to the open-minded reader.

Placing the work of key figures in context and addressing such issues as aesthetics, linguistics and the category of literature, form and function or literary evolution, this work argues that the Formalists' concerns provided the basis for a radically historical approach to the study of literature.

This book finds a way through often impenetrable recent theories, exploring key concepts of ideology, subjectivity and representation in the various forms put forward by different 'schools' of theorists.

Using the tools and techniques in this volume, it is possible for everyone with a TV set to analyse not only the programmes themselves, but also the culture which produces them. In this edition, John Hartley reflects on the development of television studies since publication of the first edition, and includes suggestions for further reading.

Metafication focuses on the state of contemporary fiction in Britain and America and explores the political, social and economic factors which have an effet on the critical judgement of fiction.

Professor Belsey's explains the views of recent theorists, including Jean-Francois Lyotard, Judith Butler and Slavoj Zizek, in order to take issue with their accounts of what it is to be human.

Argues that any story, whether a Bette Davis film or a Jane Austen novel, must be related to larger cultural networks. Calls for a critical practice that revises our conception of narrative through the fracturing of texts.

This guide discusses the nature and development of structuralism and semiotics. It calls for a new critical awareness of the ways in which we communicate and draws attention to their implications for our society.

Michael Holquist's masterly study draws on all of Bakhtin's known writings, providing a comprehensive account of his achievement. This edition includes a new introduction, concluding chapter and a fully updated bibliography.

This study argues against vague interpretation of fantasy as mere escapism and seeks to define it as a distinct kind of narrative.The issues that are bought up are discussed in relation to a wide range of fantasies with varying images.

"Studying British Cultures" is a volume of essays which offers a useful introduction to a contentious area. The contributors explore a wide range of critical debates on cultural identity and explode the myth that Britain is made up of a homogenous people.

This book is a unique collection of essays by founding figures in this movement to remake Shakespeare studies. Each essay challenges the Shakespeare myth and the assumptions underlying traditional modes of criticism.

Introduces the strongest and innovative of the directions emerging in Shakespearean scholarship - ranging across performance studies, multimedia and textual criticism, concerns of economics, science, religion and ethics - as well as the next step work in areas such as postcolonial and studies that continue to push the boundaries of the field.