Books in the New Chicago Classics series

Meiselman has had enough. After a life spent playing by the rules, this lonely thirty-six-year-old man¿"number two" at a suburban Chicago public library, in charge of events and programs, and in no control whatsoever over his fantasies about his domineering boss¿is looking to come out on top, at last. What seems like an ordinary week in 2004 will prove to be a golden opportunity (at least in his mind) to reverse a lifetime of petty humiliations. And no one¿not his newly observant wife, not the Holocaust survivor neighbor who regularly disturbs his sleep with her late-night gardening, and certainly not the former-classmate-turned-renowned-author who's returning to the library for a triumphant literary homecoming¿will stand in his way."Meiselman is a triumph of comic escalation." ¿ Sam Lipsyte, author of Hark and The Ask

A former undocumented immigrant and current American citizen documents his experiences chasing the American Dream through the gig economy years as a rideshare driver in Chicago. By turns heartwarming and hilarious, this book is a valuable reminder of the values we all share.A dollar from every book sold will be donated to RAICES, the Refugee and Immigrant Center For Education and Legal Services, or to the Ascend Educational Fund.

The local bar¿the true, no-frills, nameless dive bar¿offers its patrons a refuge, a place to express their doubts, dreams, regrets, and failures. Here they can escape or celebrate life; tell tall tales and jokes, or rage against the inherent unfairness of the human condition. Chances are you've spent time in a place like this yourself¿but whether minutes or hours or years, you'll want to spend more in here. Lyrical and hypnotic, Ninety-Nine Bottles is a distillation of Joseph G. Peterson's considerable talents, and a powerful and emotional meditation on the repetitions and variations of life¿regular people searching for meaning in these sad and beautiful places. Why not stop in for a few?

After over a decade in prison, a young sculptor, Yuri Dilienko, returns to his old neighborhood in Cicero, Illinois. He finds the town stripped of so many places he used to know, while the town''s familiar streets, bricks and steeples trigger memories of his traumatic youth. To convalesce, he sculpts from collected scrap metal, but his arrival in town soon rouses a young girl, Lita Avila, to curiosity. Could this reclusive and oddly quiet man, whose art is sensitive yet intense, truly be guilty of setting fire to his parents'' bungalow and burning them alive? At once an homage to the urban grit of Nelson Algren and the family sagas of Leo Tolstoy, The Fugue is a true epic that spans three generations and over fifty years, a major new achievement in the history of Chicago literature. It considers the effects of war and the silent, haunting traumas inherited by children of displaced refugees. Gint Aras''s lucid yet lyrical prose braids and weaves a tale where memory and imagination merge, time races and drags, and identity collapses and shifts without warning.

Detective Art Topp has a wife…or rather, had a wife. It's really hard to tell. On one hand, he talks to her every day, and she talks back. On the other, he's still in shock from the day he walked into his Triple A Detective AAAgency office and found her lifeless body riddled with bullets, the catastrophic blowback from what should have been a simple investigation. Now he's promised his daughter he's going to figure out what happened. The only problem is, he's not much of a detective-just a washed-up middle-aged former telecom worker who went to the gun range too often, watched too many episodes of The Rockford Files, and suddenly decided it'd be fun to be a private eye. Or maybe there's another problem-he also knows it might have been his fault. And the cops are starting to wonder, too…Gunmetal Blue showcases Joseph G. Peterson at his inimitable best. It's delightfully absurd and horrifyingly plausible, a sad and funny look at what happens when our airy fantasies become gritty reality, and when that reality in turn falls apart into madness and nightmares.

Andy's a bartender on Chicago's West Side in the late 1970s. For years, he's been slinging beers to corrupt cops and fat Zenith employees, but given the neighborhood's ongoing decline, he's starting to wonder how long it can go on. He's serving workers from a dying factory in a dying neighborhood; he sees crime on the rise-and he decides to become a criminal himself."North and Central" perfectly evokes Chicago in the epic winter of '78-'79-the bleak season of blizzards and disco and John Wayne Gacy-capturing the city in microcosm through the denizens of one blue-collar watering hole. If Springsteen and Bukowski had teamed up to write a story about a Chicago bar, they'd have been hard pressed to do better than this; it's an anti-"Cheers", a bittersweet story about a place where everybody knows your nickname, and they're tired of you coming around because you're a degenerate. But it's more than just a static portrait; it's a gripping and moving story destined to earn its own place among the classics of Chicago literature.