Books in the New Perspectives on Chinese Culture and Society series

Focusing on the evolution of traditional forms of practice and community, as well as modern reforms and reinventions both within China and on the global stage, this book explores the social history and anthropology of Daoism from the late nineteenth century.

Investigates Japan's impact on Chinese art from the mid-nineteenth century through the 1930s. In this book, essays address a range of perspectives, including the work of individual Chinese and Japanese painters, calligraphers, and sculptors, as well as artistic associations, international exhibitions, and the emergence of a modern canon.

Beginning with the Han dynasty and ending with the Qing, this book provides a cultural history of gossip and anecdote in traditional China.

Constituting over ninety percent of China's population, Han is not only the largest ethnonational group in that country but also one of the largest categories of human identity in world history. This book examines this ambiguous identity, one that shares features with, but cannot be subsumed under, existing notions of ethnicity, culture, and race.

In 221 BCE the state of Qin vanquished its rivals and established the first empire on Chinese soil, starting a millennium-long imperial age in Chinese history. This book integrates textual sources with archeological and paleographic materials, providing a boldly novel picture of Qin's cultural and political trajectory.

Drawing upon a vast array of sources, this volume develops new strategies for reading, contextualizing, and interpreting the long Chinese tradition of women's biography.