Books in the New Perspectives on Gender in Music series

Collects material from mid-1970s through 2010 to trace the evolution of ethnomusicological thinking about women, gender, and music, offering a perspective of how questions emerged and changed in those years, as well as Koskoff's reassessment of the early years and development of the field.

Centered on the musical experiences of homosexual men in St Petersburg and Moscow, this book examines how post-Soviet popular music both informs and plays off of a corporeal understanding of Russian male homosexuality.

With personal anecdotes and sometimes surprising intimacy and humour, these wide-ranging conversations represent the diversity of women composing music in the United States from the mid-twentieth century into the twenty-first.