Books in the Paraclete Poetry series

Learning about the ancient Jewish tradition of midrash, a rabbinic form of textual interpretation that seeks and imagines answers to unanswerable questions, felt to Amy Bornman like a poetic invitation to re-engage with the Bible in a new way. There is a Future: A Year of Daily Midrash ΓÇô an award-winner in the Paraclete Poetry Prize competition ΓÇô grew from a yearlong project to read the Bible daily, and write daily midrashic poems in response to the readingsΓÇöto honor the text by wondering about, and struggling with, it. By engaging particular passages of scripture across the Old and New Testaments directly, these poems imagine new dimensions of the text, and make vivid connections to the world as it is now and to the authorΓÇÖs own lifeΓÇöemerging at yearΓÇÖs end with new hope in a future that at times feels impossible, as the days pile on days and the textΓÇÖs enduring questions continue to ring.

The poems in Flying Yellow cry out for the day just out of reach, the day which unaccountably may in a moment or a season let down a joyful light into the obscurity of human trial. A hopeful belief in heaven and the end of suffering colors these profoundly spiritual, often uneasy, poems. Carried by musical currents that shape her work, Rhodes ventures into what she calls “the good dark stuff” of experience—good because the dark is where Christ went, willingly, to take it captive. Whether probing the meaning of her own personal traumas or those of historical figures like Mary Rowlandson and Dorothy Bradford; whether peeling back layers of habitual sight to see the natural world of robins and ghost crabs and shorelines more truly, she brings the reader alongside in each surprising encounter to see the possibilities of light.

The book is a gathering together of all of Kenneth Steven's poems concerning the island of Iona through the years.

Margaret B. Ingraham's collection Exploring this Terrain bids the reader to join her in a journey of discovery. In a world in which speed is increasingly regarded as a virtue and distraction is its inevitable consequence, each of these poems offers escape and consolation. One by one they invite the reader to be still, to observe, to listen, to "taste and see" - and ultimately to experience the wonder that only attention can discover hiding in the thin places within the various terrains of our everyday lives. "What is the terrain that Margaret Ingraham explores in Exploring this Terrain? It ranges from the Blue Ridge Mountains to Pluto. The path crosses the trails of memory and illness, the natural world and disintegration, and various parts unseen. Yet it stays, as Margaret says near the end of the book, in the 'secret places of my brokenness.' It is the beautiful landscape of wonder, the uneven country of love, the difficult ground of faith." --Loren Graham, author of Places I Was Dreaming.

Andalusian Hours: Poems from the Porch of Flannery O’Connor is a collection of 101 sonnets that channel the voice of celebrated fiction writer, Flannery O’Connor. In these poems, poet and scholar Angela Alaimo O’Donnell imagines the rich interior life Flannery lived during the last fourteen years of her life in rural Georgia on her family’s farm named “Andalusia.” Each poem begins with an epigraph taken from O’Connor’s essays, stories, or letters; the poet then plumbs Flannery’s thoughts and the poignant circumstances behind them, welcoming the reader into O’Connor’s private world. Together the poems tell the story of a brilliant young woman who enjoyed a bright and promising childhood, was struck with lupus just as her writing career hit its stride, and was forced to return home and live out her days in exile, far from the literary world she loved. By turns tragic and comic, the poems in Andalusian Hours explore Flannery’s loves and losses, her complex relationship with her mother, her battle with her illness and disability, and her passion for her writing. The poems mark time in keeping with the liturgical hours O’Connor herself honored in her prayer life and in her quasi-monastic devotion to her vocation and to the home she learned to love, Andalusia.  

The poems in Dreaming of Stones are about what endures: hope and desire, changing seasons, wild places, love, and the wisdom of mystics. Inspired by the poet's time living in Ireland these readings invite you into deeper ways of seeing the world. They have an incantational quality. Drawing on her commitment as a Benedictine oblate, the poems arise out of a practice of sitting in silence and lectio divina, in which life becomes the holy text. No stranger to poetry, Paintner's bestselling spirituality titles have often included poems. In this first exclusively poetic collection, she writes with a contemplative heart about kinship with nature, ancestral connections, intimacy, the landscape, the unfolding nature of time, and Christian mystics. It can be read for reflection to spark the heart and to offer solace and inspiration in difficult times. BreathThisbreathingin is a miracle,this breathing out, release,this breathing in a welcome tothe unseen gifts which sustain me eachmoment, this breathing out a sweet sigh,a bow to my mortality, this breathing ina holy yes to life, this breathing outa sacred no to all that causesme to clench and grasp,this breathing in is arevelation, thisbreathing out,freedom.

This collection of poems engages in new and animating ways with one of the profoundest texts of our past, the Book of Psalms. These poems are Clarke''s response to his experience of reading the Psalter through once every month according to Cranmer’s divisions in the 1549 Book of Common Prayer.

Wing Over Wing clears a path in the midst of everyday life to reveal the holy--whether catching fireflies at night, waiting at a bus stop, or experiencing the death of a loved one. This collection of beautiful poems lives at the intersection of the sacred and the ordinary, from the swirling flight of birds to conversations with the homeless. Wing Over Wing brims with compassion. The reader will find comfort and sustenance, as well as surprise and laughter, in these pages.

What Will Soon Take Place is an imaginative journey through the book of Revelation. It offers a poet's view of the prophetic, a means of taking this strange, fantastic book of scripture and letting it read its way into personal lives.

This collection offers a rich harvest taken from one season in the poet's creative life. Like movements in a musical composition, these poems share leitmotifs ¿ grief and the desire to honor those "saints" who have passed on; the sacramental power of nature; and, how works of art illuminate and console as they do. They point to the tension between the practice of monastic silence and the urge to bear witness, interrogating faith in the light of crises facing the earth and our human community. At the same time, the poet celebrates encounters that offer blessings of hope, inviting us to join her in a pilgrimage that leads us, with her, "this far," and gestures to what lies beyond.

Sonnets are familiar to us, but not relevant. What do they have to do with our fast-paced, tech-driven, ever-shrinking contemporary world? But what if the sonnet—invented 700 years ago—could come back like a cat with nine lives?  A sonnet in the twenty-first century might serve as a sacramental form, calling us from our work-mad lives to quietness and reflection.     In Pilgrim, You Find the Path by Walking, Jeanne Murray Walker invites the reader to join her on a journey told in 58 colloquial sonnets, beginning in the slangy streets of New York and ending in the holiness of silence and praise. Stops on the journey include reflections on death and grief, but also praise for a migrating butterfly, a knock on the door, the astonishing ocean.  This book is designed to be used as a devotional and read slowly; to be both a book of poetry and a spiritual companion.       

Idiot Pslams was called the "Best Poetry Book of the Year" by Englewood Review of Books.