Books in the The Cultural Histories Series series

A thematic overview of how sexuality was perceived in the period from 1450 to 1650, covering homosexuality, heterosexuality, sexual variations, prostitution, medicine, religion, erotica and popular belief.

A thematic overview of how animals were seen and used in the period from 1800 to 1920, covering symbolism, hunting, domestication, sports and entertainment, science, philosophy, and art.

The definitive overview on gardens through history, A Cultural History of Gardens covers 2,500 years of gardens as physical, social and artistic spaces.

"Money is a matter of functions four: a medium, a measure, a standard, a store." But money is always a medium of communication too, whether about price or about political conviction and authority, fealty, desire, or disdain.In a work that spans 4,500 years, 54 experts chart across six volumes how money has made "the world go round" and capture money's complexities in both substance and form. Individual volume editors ensure the cohesion of the whole and, to make it as easy as possible to use, chapter titles are identical across each of the volumes. This gives the choice of reading about a specific period in one of the volumes, or following a theme across history by reading the relevant chapter in each of the six.The six volumes cover: 1 - Antiquity (2500 BCE-500 CE); 2 - Medieval Age (500-1400); 3 - Renaissance (1400-1680); 4 - Age of Enlightenment (1680-1820); 5 - Age of Empire (1820-1920); 6 - Modern Age (1920-present).Themes (and chapter titles) are: Money and its Technologies; Money and its Ideas; Money, Ritual, and Religion; Money and the Everyday; Money, Art, and Representation; Money and its Interpretation; Money and the Issues of the AgeThe total extent of the pack is approximately 1,680 pages. Each volume opens with a Series Preface, an Introduction, and Notes on Contributors and concludes with Notes, Bibliography, and an Index. The Cultural Histories SeriesA Cultural History of Money is part of The Cultural Histories Series. Titles are available as hardcover sets for libraries needing just one subject or preferring a tangible reference for their shelves or as part of a fully-searchable digital library. The digital product is available to institutions by annual subscription or on perpetual access via www.bloomsburyculturalhistory.com.Individual volumes for academics and researchers interested in specific historical periods are also available in print or digitally via www.bloomsburycollections.com.

The definitive overview on gardens through history, A Cultural History of Gardens covers 2,500 years of gardens as physical, social and artistic spaces.

The 19th century was a time of new sensory experiences and modes of perception. The raucous mechanical intensity of the train and the factory vied for attention with the dazzling splendour of department stores and world fairs. Colonization and trade carried European sensations and sensibilities to the world and, in turn, flooded the West with exotic sights and savours. Urban stench became a matter of urgent public concern. Photography created a compelling alternate reality accessible only to the eye. At the turn of the 20th century, the telephone and the radio isolated and extended the sense of hearing and electrical networks spread their webs throughout cities. These novel experiences were reflected in contemporary art and literature, which strove for new ways to express modern sensibilities. A Cultural History of the Senses in the Age of Empire brings together a group of eminent historians to explore the aesthetic, cultural and political formation of the senses during a period of momentous change.A Cultural History of the Senses in the Age of Empire presents essays on the following topics: the social life of the senses; urban sensations; the senses in the marketplace; the senses in religion; the senses in philosophy and science; medicine and the senses; the senses in literature; art and the senses; and sensory media.

A thematic overview of how sexuality was perceived in the period from 800 BCE to 350 CE, covering homosexuality, heterosexuality, sexual variations, prostitution, medicine, religion, erotica and popular belief.

A thematic overview of how the human body was perceived in the period from 1900 to the twenty-first century, covering birth and death, health and disease, sex and eroticism, medicine, popular beliefs and the self.

A thematic overview of how the human body was perceived in the period from 1400 to 1650, covering birth and death, health and disease, sex and eroticism, medicine, popular beliefs and the self.

A thematic overview of how the human body was perceived in the period from 1800 to 1920, covering birth and death, health and disease, sex and eroticism, medicine, popular beliefs and the self.

A thematic overview of how animals were seen and used in the period from 1000 to 1400, covering symbolism, hunting, domestication, sports and entertainment, science, philosophy, and art.

A thematic overview of how animals were seen and used in the period from 2500 BC to 1000 AD, covering symbolism, hunting, domestication, sports and entertainment, science, philosophy, and art.

Presents an overview of the changing role of animals in the economy, culture and thinking of the period. Covering the period 1400 to 1600, this title explores a wide range of topics, including the symbolic role of birds in early modern writing; hunting rites and animal rights; the domestication of animals; and the popularity of performing animals.

The period of the enlightenment saw great changes in the way animals were seen. This title presents an overview of the period and continues with essays on the position of animals in contemporary symbolism, hunting, domestication, sports and entertainment, science, philosophy and art.

Human culture is now more dangerous to nonhuman animals than ever before. This title presents an overview of the period and continues with essays on the position of animals in contemporary symbolism, hunting, domestication, sports and entertainment, science, philosophy and art.

Investigates the changing roles of animals in medieval culture, economy and society in the period 1000 to 1400. This title presents an overview of the period and continues with essays on the position of animals in contemporary symbolism, hunting, domestication, sports and entertainment, science, philosophy and art.

Presents an assessment of animal cultures from 2500 BC to 1000 AD, describing how animals were an intrinsic part of the spiritual life of ancient society, how they were hunted, domesticated and used for entertainment, and the roles animals played in ancient science and philosophy.

Explores the cultural position of animals in the period from 1800 to 1920. This title presents an overview of the period and continues with essays on the position of animals in contemporary symbolism, hunting, domestication, sports and entertainment, science, philosophy and art.

Landscape architecture and garden-making have witnessed huge changes during the twentieth-century, and the impact of these will continue to be discussed and interpreted in the twenty-first. New materials and responses to different social conditions, along with new attitudes to how gardens are perceived and interpreted and above all the relationship of built work to the larger landscape of territory and society - all have challenged long-held practices of garden-making, even while those same traditions continue to be at the centre of both designers and users.

As much as the nineteenth and early twentieth century gardens and their designs were a product and representation of industrialisation and urbanisation, they were also motors of change. Gardens became an industry in and of themselves. They were both the last resting places of the dead and cultivated plots for surv ival. Gardens were therapeutic environments regarded as civilising, socialising and assimialting institutions, and they were designed and perceived as social landscapes and community playgrounds. Rich with symbolism, gardens were treated as the subject and the setting for literature and painting and were often considerd works of art in themselves. In a time of empire, when plants were drawn from across the globe, gardens also reflected territorial conquest and expansion and they fostered national, regional and local identities.A Cultural History of Gardens in the Age of Empire presents an overview of the period with essays on issues of design, types of gardens, planting, use and reception, issues of meaning, verbal and visual representation of gardens, and the relationship of gardens to the larger landscape.

The Enlightenment raised fundamental questions about what it meant to be human in a truly global world. At the heart of debates about nature, culture and history, the garden offered itself as a practical demonstration, a living experiment, and a site of debate and discourse. The design, planting, experience and representation of contemporary gardens in Europe, China and North America reveal intense contributions to debates on aesthetics, both personal and national politics, and on the shaping of nature.

The history of the garden in the Renaissance, traced from the late fourteenth century in Italy to the death of André Le Nôtre in 1700 in France, is a story both of dynamism and codification. The period saw the emergence of what would become archetypal elements of the formal garden and the fixing of theory and language of the garden arts. At the same time, newly important sciences, developments in engineering, as well as globalization, historicity, and theories of aesthetics were embraced in the construction of such gardens. The result was the notion of the landscape as something to be labored on, created, and delighted in, that ultimately would become a stage upon which Renaissance cultural politics played out.

The Middle Ages was a time of great upheaval - the period between the seventh and fourteenth centuries saw great social, political and economic change. The radically distinct cultures of the Christian West, Byzantium, Persian-influenced Islam, and al-Andalus resulted in different responses to the garden arts of antiquity and different attitudes to the natural world and its artful manipulation. Yet these cultures interacted and communicated, trading plants, myths and texts. By the fifteenth century the garden as a cultural phenomenon was immensely sophisticated and a vital element in the way society saw itself and its relation to nature. A Cultural History of Gardens in the Medieval Age presents an overview of the period with essays on issues of design, types of gardens, planting, use and reception, issues of meaning, verbal and visual representation of gardens, and the relationship of gardens to the larger landscape.

The dramatic changes of the 20th century propelled women into unprecedented circumstances. The entrance of women into public space, particularly through their involvement in the labour market, fundamentally changed meanings of feminine identity across the globe. Massive migration created encounters between women of different ethnicities, beliefs, and allegiances. This displacement produced an exchange of critical ideas and technologies between women across cultures, between women and the state, and between the demands of homemaking and workplaces. Women were impacted by diverse factors including urbanisation, industrialisation, mass-migration and communication, the intervention of the nation-state in the duties of home and childraising, totalitarian political regimes and decolonisation, eugenics and contraception, medicine, AIDS and feminism. A Cultural History of Women in the Modern Age spans the 20th century with essays on changing ideas of the fetus, female orgasm, faith and forms of worship, pathology and technological intervention, the labour market, feminism and power, and challenges to the artistic canon by women of colour.

The history of gardens in antiquity is characterized by a rich mix of cultures interacting throughout Europe, Africa and Asia. This period - from the sixth century BCE to the sixth century CE - was foundational to the later periods of garden history. The emergence of advanced horticultural techniques, sustained regional and international trade routes, and centralized power structures promoted the development of highly sophisticated garden culture in both private and public contexts. New evidence derived from archaeology and fresh analysis of literary and visual sources revises our perspective, reminding us that these garden cultures were varied and diverse, yet connected through ritual, trade, conquest, and cultural practices in ways we are only beginning to define.