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About Communicology

"Communicology is Vilâem Flusser's first ever thesis on his concepts of technical images and technical imagination. In this foundational text he lays the groundwork for later work, offering a philosophical approach to communication as a phenomena that permeates every aspect of human existence. Clearly organized around questions such as "What is Communication," "What are Codes," and "What is Technical Imagination" the work touches on theatre, photography, film, television, and more. Originally written in 1978, but only posthumously published in German, the book is one of the clearest statements of Flusser's theory of communication as involving a variably mediated relation between humans and the world. Although Flusser was writing in the pre-digital 1970s, his work demonstrates a prescience that makes it of significant contemporary interest to scholars in visual culture, art history, media studies, and philosophy"--

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  • Language:
  • Unknown
  • ISBN:
  • 9781503634480
  • Binding:
  • Paperback
  • Pages:
  • 236
  • Published:
  • December 12, 2022
  • Dimensions:
  • 153x17x226 mm.
  • Weight:
  • 373 g.
  In stock
Delivery: 3-5 business days
Expected delivery: December 26, 2024
Extended return policy to January 30, 2025
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Description of Communicology

"Communicology is Vilâem Flusser's first ever thesis on his concepts of technical images and technical imagination. In this foundational text he lays the groundwork for later work, offering a philosophical approach to communication as a phenomena that permeates every aspect of human existence. Clearly organized around questions such as "What is Communication," "What are Codes," and "What is Technical Imagination" the work touches on theatre, photography, film, television, and more. Originally written in 1978, but only posthumously published in German, the book is one of the clearest statements of Flusser's theory of communication as involving a variably mediated relation between humans and the world. Although Flusser was writing in the pre-digital 1970s, his work demonstrates a prescience that makes it of significant contemporary interest to scholars in visual culture, art history, media studies, and philosophy"--

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