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Daughter of the Dragon

About Daughter of the Dragon

Born into the steam and starch of a Chinese laundry, Anna May Wong (1905-1961) emerged from turn-of-the-century Los Angeles to become Old Hollywood's most famous Chinese American actress, a screen siren who captivated global audiences and signed her publicity photos-with a touch of defiance-"Orientally yours". Now, more than a century after her birth, Yunte Huang narrates Wong's tragic life story, retracing her journey from Chinatown to silent-era Hollywood and from Weimar Berlin to decadent, prewar Shanghai capturing American television in its infancy. As Huang shows, Wong's rendezvous with history features a remarkable parade of characters, including a smitten Walter Benjamin and (an equally smitten) Marlene Dietrich. Challenging the parodically racist perceptions of Wong as a "Dragon Lady", "Madame Butterfly" or "China Doll", Huang's biography becomes a truly resonant work of history that reflects the raging anti-Chinese xenophobia, unabashed sexism and ageism towards women that defined both Hollywood and America in Wong's all-too-brief fifty-six years on earth.

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  • Language:
  • English
  • ISBN:
  • 9781631495809
  • Binding:
  • Hardback
  • Pages:
  • 400
  • Published:
  • August 21, 2023
  • Dimensions:
  • 165x34x240 mm.
  • Weight:
  • 740 g.
  In stock
Delivery: 3-5 business days
Expected delivery: December 7, 2024
Extended return policy to January 30, 2025

Description of Daughter of the Dragon

Born into the steam and starch of a Chinese laundry, Anna May Wong (1905-1961) emerged from turn-of-the-century Los Angeles to become Old Hollywood's most famous Chinese American actress, a screen siren who captivated global audiences and signed her publicity photos-with a touch of defiance-"Orientally yours". Now, more than a century after her birth, Yunte Huang narrates Wong's tragic life story, retracing her journey from Chinatown to silent-era Hollywood and from Weimar Berlin to decadent, prewar Shanghai capturing American television in its infancy. As Huang shows, Wong's rendezvous with history features a remarkable parade of characters, including a smitten Walter Benjamin and (an equally smitten) Marlene Dietrich. Challenging the parodically racist perceptions of Wong as a "Dragon Lady", "Madame Butterfly" or "China Doll", Huang's biography becomes a truly resonant work of history that reflects the raging anti-Chinese xenophobia, unabashed sexism and ageism towards women that defined both Hollywood and America in Wong's all-too-brief fifty-six years on earth.

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