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Eliot and Beckett's Low Modernism

- Humility and Humiliation

part of the Other Becketts series

About Eliot and Beckett's Low Modernism

The first book-length study exclusively dedicated to a comparison between T. S. Eliot and Samuel Beckett and the first to theorise the relation between humility and humiliation. Humility and humiliation have an awkward, often unacknowledged intimacy. Humility may be a queenly, cardinal or monkish virtue, while humiliation points to an affective state at the extreme end of shame. Yet a shared etymology links the words to lowliness and, further down, to the earth. Like the terms in question, T. S. Eliot and Samuel Beckett share an imperfect likeness. Between them is a common interest in states of abjection, shame and suffering - and possible responses to such states. Tracing the relation between negative affect, ethics and aesthetics, Low Modernism demonstrates how these two major modernists recuperate the affinity between humility and humiliation - concepts whose definitions have largely been determined by philosophy and theology. Rick de Villiers is a lecturer in the Department of English at the University of the Free State, South Africa.

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  • Language:
  • English
  • ISBN:
  • 9781474479035
  • Binding:
  • Hardback
  • Pages:
  • 264
  • Published:
  • October 4, 2021
  • Dimensions:
  • 245x164x21 mm.
  • Weight:
  • 516 g.
  In stock
Delivery: 3-5 business days
Expected delivery: December 29, 2024
Extended return policy to January 30, 2025
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Description of Eliot and Beckett's Low Modernism

The first book-length study exclusively dedicated to a comparison between T. S. Eliot and Samuel Beckett and the first to theorise the relation between humility and humiliation. Humility and humiliation have an awkward, often unacknowledged intimacy. Humility may be a queenly, cardinal or monkish virtue, while humiliation points to an affective state at the extreme end of shame. Yet a shared etymology links the words to lowliness and, further down, to the earth. Like the terms in question, T. S. Eliot and Samuel Beckett share an imperfect likeness. Between them is a common interest in states of abjection, shame and suffering - and possible responses to such states. Tracing the relation between negative affect, ethics and aesthetics, Low Modernism demonstrates how these two major modernists recuperate the affinity between humility and humiliation - concepts whose definitions have largely been determined by philosophy and theology. Rick de Villiers is a lecturer in the Department of English at the University of the Free State, South Africa.

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