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Fliegende Blätter Für Musik

- Wahrheit Über Tonkunst Und Tonkünstler; Volume 2

About Fliegende Blätter Für Musik

A collection of essays and articles by German music critic Johann Christian Lobe, originally published in the 1830s and 1840s. Lobe was known for his sharp wit and his uncompromising opinions on the state of music in Germany and Europe at the time. His essays cover a wide range of topics, from the operas of Mozart and Beethoven to the role of music in society and the influence of Italian and French music on German composers. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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  • Language:
  • English
  • ISBN:
  • 9781022583993
  • Binding:
  • Paperback
  • Published:
  • July 17, 2023
  • Dimensions:
  • 156x234x26 mm.
  • Weight:
  • 717 g.
Delivery: 1-2 weeks
Expected delivery: December 11, 2024

Description of Fliegende Blätter Für Musik

A collection of essays and articles by German music critic Johann Christian Lobe, originally published in the 1830s and 1840s. Lobe was known for his sharp wit and his uncompromising opinions on the state of music in Germany and Europe at the time. His essays cover a wide range of topics, from the operas of Mozart and Beethoven to the role of music in society and the influence of Italian and French music on German composers.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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