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Light Out and Modern Vietnamese Stories, 1930-1954

About Light Out and Modern Vietnamese Stories, 1930-1954

"Light Out" and Modern Vietnamese Stories, 1930-1954, translated by Quan Manh Ha and Paul Christiansen, with an essay by Ngô Văn Giá, is the first anthology in English of colonial Vietnamese literature written by canonical authors. Light Out depicts colonial exploitation, impoverished peasants at the mercy of precarious crop cycles, and institutionalized corruption that pits peasants against village officials. Set over the course of a few days, the novella presents an intimate look into the rural society in Northern Vietnam during the height of French colonialism, exposing the brutal realities of the period and the impact such deprivations have on the human spirit. The eighteen short stories included in the anthology thematically delineate colonial abuses, class discrimination, patriarchal expectations, and livelihoods tethered to an unstable environment. Aesthetically, they illuminate the impact of French literary traditions and Western thought on Vietnamese traditions of storytelling.

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  • Language:
  • English
  • ISBN:
  • 9781501778025
  • Binding:
  • Hardback
  • Published:
  • November 14, 2024
  • Dimensions:
  • 152x229x18 mm.
  • Weight:
  • 503 g.
Delivery: 2-4 weeks
Expected delivery: January 24, 2025
Extended return policy to January 30, 2025
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Description of Light Out and Modern Vietnamese Stories, 1930-1954

"Light Out" and Modern Vietnamese Stories, 1930-1954, translated by Quan Manh Ha and Paul Christiansen, with an essay by Ngô Văn Giá, is the first anthology in English of colonial Vietnamese literature written by canonical authors. Light Out depicts colonial exploitation, impoverished peasants at the mercy of precarious crop cycles, and institutionalized corruption that pits peasants against village officials. Set over the course of a few days, the novella presents an intimate look into the rural society in Northern Vietnam during the height of French colonialism, exposing the brutal realities of the period and the impact such deprivations have on the human spirit.
The eighteen short stories included in the anthology thematically delineate colonial abuses, class discrimination, patriarchal expectations, and livelihoods tethered to an unstable environment. Aesthetically, they illuminate the impact of French literary traditions and Western thought on Vietnamese traditions of storytelling.

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