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Mural Painting In America

- The Scammon Lectures, Delivered Before The Art Institute Of Chicago, March, 1912, And Since Greatly Enlarged, By Edwin Howland Blashfield; Volume 3

About Mural Painting In America

In this collection of lectures, Edwin Howland Blashfield offers an in-depth exploration of mural painting in America. From the earliest colonial works to the modern murals of the early 20th century, Blashfield traces the evolution of this important art form. The lectures provide a fascinating glimpse into the creative process and historical context of some of America's most iconic murals. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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  • Language:
  • English
  • ISBN:
  • 9781022406117
  • Binding:
  • Paperback
  • Published:
  • July 17, 2023
  • Dimensions:
  • 156x234x23 mm.
  • Weight:
  • 621 g.
Delivery: 1-2 weeks
Expected delivery: August 17, 2025

Description of Mural Painting In America

In this collection of lectures, Edwin Howland Blashfield offers an in-depth exploration of mural painting in America. From the earliest colonial works to the modern murals of the early 20th century, Blashfield traces the evolution of this important art form. The lectures provide a fascinating glimpse into the creative process and historical context of some of America's most iconic murals.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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