Books published by Cambria Press

This is a collection of seven contemporary American plays (six of them by gay playwrights) that depict the lives of gay men in the years before gay liberation and in our own time. All of these plays have been successfully produced by major American theaters and all have received critical acclaim. The first three works in the collection-Robert O' Hara's Antebellum, Joseph and David Zellnik's Yank!, and Jon Marans's The Temperamentals-demonstrate gay playwrights' impulse to share the history of oppression and liberation gay men have faced. The remaining four plays-Guillermo Reyes's Deporting the Divas, Stephen Karam's Sons of the Prophet, Neal Bell's Spatter Pattern and Jose Rivera's Pablo and Andrew at the Altar of Words-offer depictions of the ways in which gay men have and have not assimilated in the twenty-first century. These plays also deal with larger sociopolitical issues: racism, war, immigration, unemployment and same-sex marriage. They also dramatize experiences common to everyone: illness, grief, guilt, and familial and romantic love. As these seven plays dramatize a variety of personal and social issues, they also demonstrate a variety of dramatic styles, from realism to flamboyant gender-bending to musical theater. They offer a good introduction to the stylistic richness and variety of contemporary American theater. In addition to a general introduction, each play is preceded by a critical introduction. In most cases, the playwrights have also provided statements about their work. Gay Drama Now offers a sampling of the best of contemporary drama about the gay experience in America. Written by some of the most celebrated playwrights working today, from veteran playwrights like Jose Rivera and Neal Bell to younger writers like Stephen Karam and Robert O'Hara. It represents the work of African-American, Latino and white playwrights. This volume should appeal to readers interested in American drama, particularly drama of this century. It will also appeal to students of gay and lesbian studies.

"This is the most comprehensive and insightful study on this topic in any language and the first written in English. In addition to its scholarly value, Professor Pan's book opens a window to a picturesque poetic world for Western readers who are interested in Chinese poetry and painting." - Zu-yan Chen, Professor of Chinese Literature, Binghamton University "In this book, Professor Pan provides a rare treat for the English-language reader with valuable information regarding this hitherto under-represented subject. He lucidly traces the development of this border-crossing genre from its prototype works to its maturity in the Tang Dynasty (618-907) and the subsequent expansion in late imperial China. He illustrates the tihuashi poetics of the master bard Du Fu (712-770) and that of the virtuoso poet-artist-philosopher Su Shi (1037-1101). Most remarkable of his contribution is the generous number of faithfully translated poems, all with great clarity and elegance. This book will help the reader better understand the relationship between Chinese painting, calligraphy and poetry, the interartistic, intertextual, and interdisciplinary characteristics of tihuashi, the cultural milieu of its creation, and its intellectual significance to the Chinese literati community." - Madeline Chu, Professor of Chinese Language & Literature, Kalamazoo College "A special value I find in this book lies in its bilingual texts of Chinese tihuashi poems, which will not only benefit scholars and students of classical Chinese poetry but also exemplify Professor Pan's insights on classical Chinese poetic language and the art of translating this language into contemporary English." - John S. Rohsenow, Professor Emeritus, The University of Illinois at Chicago

In trying to detect and analyze this female gaze on the male empire, this volume delves into memsahibs' literature. After all, besides their service to the empire, women's literature in/about the Empire, though often neglected, is considerably large. In India's case, women writers like Flora Annie Steel, Maud Diver, and Bithia Mary Croker narrate fictional tales colored by their firsthand experience of Indian life and life in India. They use their creative imagination to present India as they see and also as they want to see India. The female gaze has thus for a long time contributed to and shaped imperial discourse and knowledge of the East. Through their letters, diaries, memoirs, stories, novels, poems, paintings, and travel writings, women have often provided invaluable information about the empire and added to the fascination of the West with the specters and picturesqueness of the East. Their writings recurrently serve as the tool of their propaganda, the vehicle of their message, the inscription of their gaze and the blueprint of their politics of representation. This book argues that although the memsahib's female gaze has been spoken of, it has not been adequately emphasized and examined. In comparison, white female sexuality, the figure of Raj Woman, and the idea of "recasting women" or portrayal of the memsahib have received far more attention. Particularly, memsahibs' writings have been widely anthologized but these have not critically evaluated to a sufficient extent. Aiming at filling that gap by uncovering the world of British India as seen and shown by white women in colonial as well as postcolonial literatures, this compilation brings together scholarly essays on memsahibs' literature and Raj writings, including men's writings about memsahibs, spanning from before India's independence (like works of Alice Perrin and Rudyard Kipling) to the post-independence period (like works of Ruth Prawer Jhabvala and Ruskin Bond). This volume looks at the significant multidimensional defiant "female gaze"--be it of the authors or of the characters in their works, regardless of whether their writings were critical or supportive of the empire. Subverting the structure of male looking/female to be looked at, this collection of essays explores the "female gaze" on the Empire (i.e., female looking/ male to be looked at). This book reiterates that the "female" element in the process cannot and should not be disregarded. Therefore, taking into consideration (real or fictional) memsahibs, this volume reminds us of the presence and role of white women in British India and the consequent intricate matrix of gender, class, race, and sexuality issues. In addition to offering critical analysis and in-depth study of memsahibs' writings, this book digresses from the well-trodden track of how memsahibs are portrayed to the near-virgin arena of how they are shown to see the Raj world. This volume asserts that the female gaze that looks upon the male empire is not merely a space constructed for the female but one fashioned by women themselves. This is an important book for South Asian literary studies, women's studies, as well as colonial and postcolonial studies on British India.

This study seeks to reunite American drama with more of the mainstream of American literature using contemporary literary theories of feminism, Derrida, Lacan, as well as the nature of language. It also focuses on the theatrical ways that plays work through performance and staging. This reveals how contemporary playwrights see themselves not as authors, but as parts of a team of designers, actors, and directors. Stage directions are largely omitted, but knowledge of original productions--both as seen live and recorded on tapes archived at Lincoln Center--reveal aspects of fragmentation of scenery, minimalist acting, emphasis on the "unsayable", which makes these plays far more postmodern than they might seem merely as read. More importantly, the final chapter reveals how these techniques culminate in 1990s play' ability to extend beyond the real in a myriad of ways, all united by a new, postmodern view of the divine as interpenetrating reality. In one sense, this seems to be juggling quite a few different items-poststructural theory, modernist realists, as well postmodern deconstructive realists and theatrical practice. All fit together neatly, however, in each chapter through a focus on performance, staging is seen as central to the dramatic experience, with reviews, photographs, and archival videotapes of productions used to verify and explore the plays' meanings. The plays, taken as a whole, reflect the key issues of American society from reactions to the Vietnam War, through issues of sexual preference, race, and feminism and its backlash, through issues of wealth and poverty to arrive at a new vision of a forgiving divine which accepts without judgment all the issues of diversity. American Drama and the Postmodern is an important book for collections in American literature, drama and theatre, as well as for literary theory.

There is extensive research found both in books and articles on the various topics of Afro Latinism/Afro Hispanism that is directed mainly at the non-native. Nonetheless, one still notices either cultural confusion or political reluctance to accept the identity of Blackness that the Latin American native lives with--for himself or for others- -on a daily basis. For the average Cuban, Venezuelan, Peruvian, and so forth, along with their Latin counterparts, Blackness in racial terms surfaces as a matter of degrees of African-relatedness that is then counterbalanced by degrees of European and/or Amerindian genomic components. It is only in non-native cultures that one encounters such disparate comparisons as "statistics for Hispanics versus statistics for Blacks." But is it not possible to find persons that are ethnoracially Black included in the demographics for Hispanics? The overarching aim of this book, then, is to determine whether it is possible to perceive a constituency within the Latin American whole who is also an integral part of the African Diaspora. It examines the concept of African-relatedness within the totality of the Latin American sphere--not just in one isolated country or region--through a careful process of literary analysis. By exploring the works of Latin American novelists, poets, and lyricists, this study shows how they creatively expose their most intimate feelings on ethnic Blackness through a semiotic reliance on the inner voice. At the same time, the reader becomes a witness to the writers' associations with a sense of Africanness as it artistically affects them and their communities in their formulations of self-identity. Unique to this volume is the scholarly presentation of the presence of a group of people in Ghana, West Africa, who owe their raisond'être as a clan to their ancestral origins in Brazil. Having been accepted and received by an endemic tribe of what was called the Gold Coast at an historical moment in the nineteenth century, a community of escaped slaves and deported ex-slaves from Brazilian bondage regrouped as an ethnic whole. The reality of their existence gives new meaning to the term African Diaspora. To this day, their descendants identify themselves as displaced Latin Americans in Africa. Undoubtedly, both this surprising feature of Latin Americans returning to the African continent and the book as a whole will stimulate further discussion on the issue of who is Black and who is Hispanic as well as generate continued, in-depth research on the relationship between two continents and their shared genotypology. The Latin American Identity and the African Diaspora is an important acquisition for collections in Latin American studies, literary criticism, Hispanic studies, ethnic studies, cultural anthropology, and the African diaspora.

The essays collected in this Reader represent some of Mahadevi Varma's most famous writings on the "woman question" in India. The collection also includes an introduction to her life, with biographical notes, an analysis of her importance in the field of Hindi letters, as well as a selection of her poems. The editor has included essays that reflect not only Mahadevi's ideas about the place of women in the home and the world during the nationalist period in India, but also articles that reveal her dreams and hopes for the future (and the past) of the Hindi-Urdu language. While many of these essays were written during the 1920s and 1930s when Mahadevi served as editor for the literary journal Chand, some of them appear to have been written much later, after India gained independence. The translators have tried to remain faithful to the Hindi, often keeping the syntax of the Hindi original.

Written by renowned sinologist Bonnie S. McDougall, this is the first full-length, detailed, and theorized treatment in any language of Chinese-English literary translation transactions and will stand as the major primary source of future studies. It opens up new corners of modern Chinese culture and society that sinologists have hitherto overlooked. This book begins by setting out these two contrasting models of translation that co-existed in China during the 1980s: the authoritarian model and the reciprocal, or gift-exchange, model. The following chapters set down the actual circumstances of each model as it operated in its own zone, in the first such testimony from an active observer and participant in both. Two final chapters examine the new theoretical perspectives that arise from the contrast and the overlap between the two zones. A constant challenge in humanistic studies is the problem of exceptionalism versus universalism. In Chinese studies, for instance, books by academic experts often address only a closed, small world of other experts drawing on decades of language and cultural studies. This book is primarily intended for translation studies researchers whose aim is to extend their academic horizons beyond their customary languages and cultures without wishing to devote the rest of their lives to Chinese studies.

"This is the best study of a single Chinese poet I have seen in decades. And the best study of Du Fu known to me. David Schneider goes beyond previous works in revealing what might be called the source of Du Fu's gravitas. What is especially refreshing is that the author, while making use of well-selected modern authorities to cast light on Du Fu's poetry, is equally careful never to embrace their "theories" fully, with the ancillary danger of anachronism which taints so much contemporary "humanities" scholarship. The combination of empathy and critical thinking here is exemplary. The author writes eloquently and clearly, and is a very fine translator indeed, and gives us some of the very finest translations of Du Fu we now possess." - Jonathan Chaves, George Washington University

"Extremely well-researched and coherently argued, this book presents top-quality research and draws appropriately on the existing knowledge in this area. The focus on fidelity across different kinds of relationship structures is very original and will prove an important contribution to the field of relationship research. A key strength of this study is that the analysis pays attention to both commonalities and diversity (which is rare, even in qualitative research). The analysis is also both clearly expressed and sophisticated." - Dr. Meg Barker, Open University "This is a fascinating investigation of the meaning of 'love, ' 'sex, ' and 'fidelity' for different kinds of couples. Kassia Wosick reports on a survey and in-depth conversations with couples that were straight and gay, monogamous and non-monogamous, traditional and polyamorous. 'Love' and 'being special' are enormously important in all of these groups. But she also finds startling differences. For some, sexual exclusiveness is critical. For others, being faithful means not loving anyone else, but sex with others is ok. For polyamorous couples, having explicit rules and being open and honest is the heart of fidelity and being special. And "having sex" can mean many different things. This book persuasively argues that we need more flexible, emotion-focused concepts of love, commitment and fidelity. The traditional focus on sexual exclusivity does not fit many contemporary relationships. This is a very valuable book for researchers and therapists, and for all of us who care about 'love, ' 'sex, ' and 'faithfulness'." - Professor Francesca Cancian, University of California, Irvine "Engaging, insightful, thoroughly researched, and well written, Sex, Love, and Fidelity: Study of Contemporary Romantic Relationships provides a compelling analysis of evolving relationships with a unique focus on levels of monogamy that surpasses previous studies to contribute refreshing insights into current meanings of sexuality and love. Wosick untangles the myriad cultural assumptions underlying the concept of fidelity and details the various ways in which fidelity expresses in a range of contemporary relationships, from dual fidelity and strict monogamy through veiled fidelity and almost monogamy to specified fidelity and non-monogamy and ending with agentic fidelity and polyamory. Now that few people in the US expect to be monogamous in the classical sense of marrying as a virgin and remaining in one, life-long, sexually exclusive relationship, Sex, Love, and Fidelity provides the information necessary for us to update our understandings of contemporary love and commitment." - Dr. Elisabeth Sheff, Sheff Consulting Group

The context for the first part of this study is the community (sangha) of early Buddhism in India, as it is reflected in the religion's canon composed in the Pali language, which is preserved by the Theravada tradition as the only authentic record of the words of the Buddha and his disciples, as well as of events within that community. This book does not assert that the Pali Canon represents any sort of "original" Buddhism, but it maintains that it reflects issues and concerns of this religious community in the last centuries before the Common Era. The events focused on in part one of this study revolve around diversity and debate with respect to proper soteriology, which in earliest Buddhist communities entails what paths of practice successfully lead to the religion's final goal of nibbana (Sanskrit: nirvana). One of the main theses of this study is that some of the vocational and soteriological tensions and points of departure of the early community depicted in the Pali Canon have had a tendency to crop up in the ongoing Theravada tradition in Sri Lanka, which forms the second part of the study. In particular, part two covers first a vocational bifurcation in the Sri Lankan that has existed at least from the last century of the Common Era to contemporary times, and second a modern debate held between two leading voices in Theravada Buddhism, on the subject of what constitutes the right meditative path to nibbana.With a few notable exceptions, both members of Theravada Buddhism and the scholars who have studied them have maintained that the Pali Canon, and the ongoing tradition that has grown out of it, has a singular soteriology. The aim of this study is to deconstruct tradition, in the simple sense of revealing the tradition's essential multiplicity. Prior to this study, past scholarship--which preferred to portray early Indian and Theravada Buddhsim as wholly rationalist systems--has shied away from giving ample treatment on the noble person who possesses supernormal powers. This book examines the dichotomy between two Theravada monastic vocations that have grown out of tensions discussed in part one. The bifurcation is between the town-dwelling scholar monk and the forest-dwelling meditator monk. Scholars have certainly recognized this split in the sangha before, but this is the first attempt to completely compare their historical roles side by side. This is an important book for collections in Asian studies, Buddhist studies, history, and religious studies.