Books published by Clemson University Press

While writing these essays, both of my parents died. When I read that Cicero had left his son a series of brief personal "letters," I was disappointed that my parents had not done something similar. That's when I decided to learn from the "sin" of their omission and salt away some of my essays in a book.Arthur Schopenhauer said that given our "three score and ten" allotment, a wise division would be forty years devoted to the "text" and thirty to the "commentary." My division thus far has been rather less balanced-sixty-five for the text and six for the commentary, but at least I've managed to get a few things in print before shuffling off to Buffalo dragging my mortal coil. To switch the metaphor, I've spent the last six years unpeeling a very large onion. In the process, I've cut my fingers numerous times and occasionally brought tears to my eyes, but once sautéed with a little butter, the result, I think, is a palatable dish. Guten Appetit!-Skip Eisiminger

Fascist Directive reveals changes in Ezra Pound's prose writing resulting from his excitement over Mussolini's use of Italian cultural heritage to build and promote the modern Fascist state. Drawing on unpublished archival material and untranslated periodical contributions, Catherine E. Paul delves into the vexing work of perhaps the most famous, certainly the most notorious, American in Italy in the 1930s and 1940s, providing fresh understanding of Fascist deployment of art, architecture, blockbuster exhibitions, music, archaeological projects, urban design, and literature. Pound's prose writings of this period cement a "directive" approach-declaiming his views with an authority that shuts down disagreement. Reading such important prose works as Jefferson and/or Mussolini and Guide to Kulchur, as well as the surprisingly propagandistic aspects of the Pisan Cantos in the context of Pound's profound investment in Italian Fascist cultural nationalism, Fascist Directive reveals the importance of this approach to his larger artistic mission.

Since 1968, The South Carolina Review (SCR) has published fiction, poetry, interviews, unpublished letters and manuscripts, essays, and reviews from literary giants such as Joyce Carol Oates and Kurt Vonnegut as well as eminent critics such as Cleanth Brooks and Marjorie Perloff. SCR celebrates its 50th anniversary in 2018.

Thomas Green Clemson (1807-1888), the founder of Clemson University in Clemson, SC, was no ordinary man. He was, in fact, as unique as he was highly educated, skilled, pragmatic, visionary, and complex. To introduce us to this man, fifteen scholars and specialists of history, science, agriculture, engineering, music, art, diplomacy, law, and communications come together to address Clemson's multifaceted life, the century and issues that helped shape him, and his ongoing influence today.

Virginia Woolf: Art, Education, and Internationalism is a wide-ranging collection of essays. Contributors include Jane de Gay, Patricia Laurence, Judith Allen, Suzanne Bellamy, Diane F. Gillespie, Elisa Kay Sparks, and Diana L. Swanson. These and other Woolf scholars address topics as diverse as Woolf's response to war, Woolf and desire, Woolf's literary representation of Scotland, Woolf's connection to writers beyond the Anglophone tradition, and Woolf's reception in China, to note just a few.