Books published by EDINBURGH UNIVERSITY PRESS

Focusing on the partisan's perspective, the book explores how and why some party organisations reconcile the most contradictory democratic imperatives while others fail to uphold basic principles.

With a career spanning over three decades, French filmmaker Claire Denis has demonstrated not only a remarkable longevity in a notoriously fickle industry, but a continuing fascination with the possibilities of film as form, art, and language. ReFocus: The Films of Claire Denis is a timely look at an artist at the height of her powers with an impressive oeuvre which is reinterpreted in light of new works, including High Life and Both Sides of the Blade. Comprised of 13 original chapters from world leading Denis scholars and early career researchers, this collection includes an accessible introduction for those new to Denis studies, with an overview of thematic interests, and a brief survey of the most salient and influential trends in Denis scholarship. Peter Sloane is Senior Lecturer and Programme Director in English at the University of Buckingham, UK.

Working across a range of formats, from video art and gallery installations to independent cinema, Hollywood and the BBC, Steve McQueen's prodigious output has been marked by formal ambition and political urgency. ReFocus: The Films of Steve McQueen interrogates the director's body of work, its political, aesthetic and institutional dimensions, and the interfaces between them. It offers critical insights into McQueen's engagements with race, gender, the body, love and pain, and his abiding self-reflexive interest in the potential of multiple audio-visual forms. The first director to win both the Turner Prize and an Oscar for best picture, McQueen is probably the most important working British filmmaker. This vital collection explores the controversies as well as the achievements in McQueen's stellar career to date. Thomas Austin is Professor of Film Studies at the University of Sussex, UK.

[headline]Offers a literary and cultural critique of the concept of true feeling, using affect theory to analyze post-war realist literatures Is emotional truth a damaging literary and cultural ideal? The Artifice of Affect proposes that valuing affective authenticity risks creating a homogenised self, encouraged to comply only with accepted moral beliefs. Similarly, when emotional truth is the primary value of literature, literary texts too often become agents of conformity. Nowhere is this risk explored more fully than in a range of American realist texts from the Cold War to the end of the twentieth century. The works of writers such as James Baldwin, Saul Bellow, John Cheever, Kathleen Collins, Paula Fox, Ralph Ellison and Richard Yates formulate trenchant critiques of true feeling's aesthetic and social imperatives. The arguments at the heart of this book aim to re-frame emotional processes as visceral constructions, which should not be held to the standards of static ideals of accuracy, legitimacy or veracity. [bio]Nicholas Manning is Professor of American Literature at Université Grenoble Alpes and a fellow of the Institut universitaire de France.

A provocative study of the intersection of Spinoza and Marx that shows how their respective philosophies engage overlapping questions and problems Spinoza and Marx would seem to be two very opposed philosophers. Spinoza was interested in contemplating eternal truths of nature while Marx was interested in the history of capital. Franck Fischbach suggests that by reading the two together we may better understand both history and nature, as well as ourselves, making possible a new understanding of human nature. Rather than see history and nature as opposed, history is nothing but the constant transformation of nature. Central to this transformation is a new understanding of alienation not as loss of the self in a world of objects, but as loss of objects in a world that disconnects us from nature and social relations, leaving us isolated as a subject. The isolated individual, the kingdom within a kingdom, as Spinoza put it, is not the condition of our liberation but the basis of our subjection. Franck Fischbach is Professor of the History of German Philosophy at the Sorbonne (University of Paris 1). He is the author of Après la production. Travail, nature et capital (Vrin, 2019), La privation de monde. Temps, espace et capital (Vrin, 2011) and L'être et l'acte. Enquête sur les fondements de l'ontologie moderne de l'agir, (Vrin, 2002) Jason Read is Professor of Philosophy at the University of Southern Maine, USA.

This book offers new historical, legal and literary explorations of a status held by uncountable formerly enslaved persons in the Roman Empire: Junian Latinity.It is the first book in any language to provide comprehensive multi-disciplinary study of this status. Divided in two parts, the book sets the scene with six chapters that discuss the legal innovations that created Junian Latinity, as well as the historical contexts in which the status was conceived and in which it developed - from the late republican period to the early medieval world. Four chapters in the second book part offer then new research on key Latin literary texts to provide fresh insights into the role of Junian Latinity in Roman imperial society. The book makes a strong case for the centrality of Junian Latinity in the Roman Empire and the importance of its modern study.

The seventh volume in EUP's highly acclaimed Atlas of Global Christianity, which takes the analysis of worldwide Christianity to a deeper level of detail.

Women in East Asian Cinema brings together new and emerging work to highlight and explore the understudied contributions of women to the films and creative industries of East Asia. It foregrounds the importance of re-historicising women's creative labour in film, not just as actors on screen, but as voices who have steered the production, circulation and consumption of these films across global contexts. Over three sections, it provides perspectives on gender representation in East and South-East Asian cinema; new explorations of women's labour contributions as directors, screenwriters, and editors; and considerations of the contemporary circulation processes through which such work reaches global audiences. By re-centring women's film histories within the broader history of cinema and interrogating the geo-political boundaries of what might constitute 'East Asia' in the process, this volume makes a robust intervention into studies of East Asian cinema and women in film. Felicia Chan is Senior Lecturer in Screen Studies at the University of Manchester Fraser Elliott is Lecturer of Film, Exhibition and Curation at the University of Edinburgh Andy Willis is Professor of Film Studies at the University of Salford

The first book to comprehensively address Don DeLillo's deep and lasting engagement with the arts across the entirety of his writing career

Bringing together rigorous, original scholarship from over 60 contributors around the globe, this reference volume examines Turkey's evolution from the early days of the Republic to the present time, offering a critical portrait of a vibrant country at crossroads.

Presents Shakespeare's theatre as a powerful forum for shaping our capacity for virtue

The first book-length investigation of the history of pre-chapter epigraphs in the English novel

Analyses the cultural exchange of two important and highly entangled European film nations of the silent era

Ten chapters from five continents (Asia, Australia, Europe, Latin America, Africa) provide a global perspective on current anti-feminism and anti-gender discourses

Examines the film practice of the Chilean-French filmmaker and artist Alejandro Jodorowsky

Taking off from Hegel's invocation of philosophy as a painting of 'grey on grey', this collection of essays explores the rich scope of possibilities implicated by the colour and concept of grey.

Examines the use of cinematography and mise en sc ne in contemporary Indonesian cinema

A translation of the first book written by one of the most famous and authoritative Spinoza scholars in the world today.

Examines the star persona of Argentine actor Ricardo Dar n

Examines the work of Turkish director, Nuri Bilge Ceylan

Reveals the importance of social networks and identities to defining Highland Scots' engagements with Empire and its lasting legacies This is a book about the social in Highland entanglements with Empire - the networks, relationships and identities that made it possible for Highland Scots to access the Empire and its benefits. It explores - from a range of perspectives - the impact that these Scots had, as sojourners and settlers, on the different places they encountered. It is also a book about the present-day legacies of their engagements with Empire, and of the ongoing process of forging social and cultural identities with Highland roots. The book represents a significant contribution to our understanding of the role of Highland Scots, influenced by their culture and language, in creating the Empire and its legacies. It advances knowledge of just how diverse the impacts of Highland Scots were on forging landscapes and lifescapes across the Atlantic, and how their exposure to the colonial world influenced and reshaped their Diasporic identities. While the British Empire was a collaboration of diverse interests, this book will shed light on one important interest: the Highland one. Key features  Individual chapters that suit individual specialisms, while still being accessible to readers from other disciplines/professions  Important (re)considerations of understudied perspectives and areas of scholarship, presenting new histories of under-studied social groups or situations and new insight on social networks and entanglements as a key aspect of Empire  International material to allow comparison and contextualisation and broaden readerships S. Karly Kehoe is Professor of History and Canada Research Chair in Atlantic Canada Communities at Saint Mary's University in Nova Scotia. Her work concentrates on Scottish and Irish Catholic settlement and colonisation in the north Atlantic. Chris Dalglish is a Director of Inherit, the Institute for Heritage and Sustainable Human Development, which is part of a UK-based charity, the York Archaeological Trust. Annie Tindley is Professor of British and Irish Rural History at Newcastle University and Head of the School of History, Classics and Archaeology. Her work interrogates land issues in the modern period including ownership, management and reform.

Explores the ways in which Palestinians negotiate physical and symbolic erasures by producing their own archives and historical narratives

Film Regulation in a Cultural Context examines cinematic works that provoked censorious impulses throughout the shift away from formal film censorship in the late modern West. The public controversies surrounding Fat Girl, Irréversible, Ken Park, The Brown Bunny, Wolf Creek and Welcome to New York, each highlight significant stages in this cultural shift, which necessitated policy revision within Britain, Canada and Australia's institutions of film censorship. Sacco draws parallels and distinctions between governmental film regulation policies and the social control mechanisms at work within a wider network of institutions, including news media, film festivals and advocacy groups. He examines the means by, and ends to which the social control of film content persists in a national 'post-censorship' media landscape, and how concepts of film 'classification' manifest in commercial market contexts, journalistic criticism and practices of distribution and advertising. Daniel Sacco is an Instructor in the Bachelor of Creative Arts Program at Yorkville University.

The Feminist Library Series Editors: Jackie Jones, Alison Light & Gill Plain Brings together the pioneering work of leading feminist cultural and literary critics for a new generation of readers. Alison Light - Inside History: From Popular Fiction to Life-Writing A collection of thought-provoking essays spanning thirty-five years of Alison Light's work. Inside History addresses a number of the central preoccupations within feminist cultural criticism over this period: the nature of writing by women and what women writers might or might not share; the place of such writing in any literary history or cultural analysis; the politics of popular culture and the question of pleasure; women's relation to ideas of national identity and other forms of belonging; and finally, their contribution to life-writing in its different genres. The volume offers a lively, wide-ranging way into feminist debates, touching on a number of major authors from Alice Walker to Virginia Woolf, on genre fiction, and on the writing of memoir and biography. Chronologically arranged, the essays and short 'think-pieces' chart Alison Light's own intellectual formation as a critic and writer within a wider collective politics. This is explored and contextualised in an autobiographical introduction. Alison Light is a writer and Honorary Professor in the Department of English, University College London; she is also an Honorary Professor at Edinburgh University and a non-stipendiary Senior Research Fellow in English and History at Pembroke College Oxford. She is the author of a number of books, including Common People: The History of an English Family (Penguin 2014), which was shortlisted for the Baillie Gifford prize, and her most recent, A Radical Romance, which won the 2020 PEN Ackerley prize for memoir. She writes regularly for the London Review of Books.

Farīd ad-Dīn-e ʿAṭṭār's Persian folk tale The Conference of the Birds relates the quest by thousands of pilgrim birds for an ideal king, the mythical bird called Sīmorgh. At the end of the quest, the surviving birds recognise that the longed-for king is nothing other than the reflection of their own existence. But what about those other birds that were not able to become part of the final representation? This groundbreaking book calls them 'counter-memories'; memories that are barred from hegemonic history, but are, nevertheless present in cinematic forms. Due to the strategic and artistic interventions of a range of Iranian filmmakers, such as Abbas Kiarostami and Shahram Mokri, Ali Hatami and Tahmineh Milani, Kianoush Ayari and Rakshan Banietemad, the history of post-revolutionary Iranian Cinema is also structured by counter-memories, with the potential to destabilise officially fabricated success stories of revolution, war and sacred defence. Counter-Memories in Iranian Cinema establishes a new framework for understanding the tensions between censorship and resistance, helping to carve out resistant points of remembering both within and outside state-controlled cinema. Matthias Wittmann is a researcher on media (especially film), curator, and writer. He was Research Associate and Chief Assistant at the Seminar for Media Studies (University of Basel) and Visiting Professor in Vienna. He has just finished a book about the Octopus (Die Gesellschaft des Tentakels, 2021) and is currently writing a book on Martyrographies in Iranian Cinema. Ute Holl is Professor for Media Aesthetics at the Seminar for Media Studies, University of Basel