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Women in East Asian Cinema

About Women in East Asian Cinema

Women in East Asian Cinema brings together new and emerging work to highlight and explore the understudied contributions of women to the films and creative industries of East Asia. It foregrounds the importance of re-historicising women's creative labour in film, not just as actors on screen, but as voices who have steered the production, circulation and consumption of these films across global contexts. Over three sections, it provides perspectives on gender representation in East and South-East Asian cinema; new explorations of women's labour contributions as directors, screenwriters, and editors; and considerations of the contemporary circulation processes through which such work reaches global audiences. By re-centring women's film histories within the broader history of cinema and interrogating the geo-political boundaries of what might constitute 'East Asia' in the process, this volume makes a robust intervention into studies of East Asian cinema and women in film. Felicia Chan is Senior Lecturer in Screen Studies at the University of Manchester Fraser Elliott is Lecturer of Film, Exhibition and Curation at the University of Edinburgh Andy Willis is Professor of Film Studies at the University of Salford

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  • Language:
  • Unknown
  • ISBN:
  • 9781399504928
  • Binding:
  • Hardback
  • Pages:
  • 240
  • Published:
  • December 30, 2023
  • Dimensions:
  • 241x20x161 mm.
  • Weight:
  • 542 g.
Delivery: 2-3 weeks
Expected delivery: December 7, 2024

Description of Women in East Asian Cinema

Women in East Asian Cinema brings together new and emerging work to highlight and explore the understudied contributions of women to the films and creative industries of East Asia. It foregrounds the importance of re-historicising women's creative labour in film, not just as actors on screen, but as voices who have steered the production, circulation and consumption of these films across global contexts. Over three sections, it provides perspectives on gender representation in East and South-East Asian cinema; new explorations of women's labour contributions as directors, screenwriters, and editors; and considerations of the contemporary circulation processes through which such work reaches global audiences. By re-centring women's film histories within the broader history of cinema and interrogating the geo-political boundaries of what might constitute 'East Asia' in the process, this volume makes a robust intervention into studies of East Asian cinema and women in film. Felicia Chan is Senior Lecturer in Screen Studies at the University of Manchester Fraser Elliott is Lecturer of Film, Exhibition and Curation at the University of Edinburgh Andy Willis is Professor of Film Studies at the University of Salford

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