Books published by EDINBURGH UNIVERSITY PRESS

Examines how the arts popularised militant resistance to the monarchy in 1970s Iran At a time of growing state control, censorship and wholesale crackdown on opposition in post-1953 Iran, intellectuals and artists began to produce works that defied the Shah's dictatorship and the regime's 'Great Civilisation' propaganda. With the emergence of urban guerrilla warfare in 1971 - spearheaded by the Marxist People's Fadai Guerrillas (PFG) - dissident artists created symbolic works that popularised the militants' ideas through artistic depictions and tropes, while portraying the militants as immortal freedom-fighters. The arts of defiance thus swayed young educated Iranians, as well as certain layers of the public, to perceive the state through the eyes of its most radical critiques: militant dissidents. By closely examining and interpreting the poetry, fiction, songs and films of the 1960s and 1970s, this book uncovers how militant action was translated into artistic expressions and vice versa. It also explores how the PFG militants - who were few in number - were able to acquire a 'heroic' dimension in the eyes of the public, portraying a symbolic image of defiance far beyond their actual militant existence. Key Features  The first comprehensive study of the relationship between the arts and revolutionary action of Iranian dissidents of the 1970s  Examines popular poets (Nima Yushij, Ahmad Shamlu, Mehdi Akhavan-Sales, Khosrow Golesorkhi), writers (Sadeq Chubak, Samad Behrangi, Gholam Hossein Sa'edi), filmmakers (Massoud Kimiai, Amir Naderi, Ebrahim Golestan), lyricists (Shahyar Ghanbari and Iraj Janantie-Atai) and singers (Farhad Mehrad and Dariush Eghbali)  Provides an analytical approach that reveals how arts and action are braided and inseparable through symbols and semiosis Peyman Vahabzadeh is Professor of Sociology at University of Victoria. He is the author of many books, including A Guerrilla Odyssey: Modernization, Secularism, Democracy and the Fadai Discourse of National Liberation in Iran, 1971-1979 (2010) and A Rebel's Journey: Mostafa Sho'aiyan and Revolutionary Theory in Iran (2019).

Examines how centralised authoritarian regimes upgrade their system of local governance The authoritarian upgrading process in Egypt has enabled the regime to have a more effective dominance in local politics and to enhance its political control. However, its strategies failed to overcome the weakness of system mobilisation functions, which reflected the authoritarian dilemma of bridging the national and the local. Drawing on extensive fieldwork, Hani Awad explores the formal and informal decentralisation strategies employed under three regimes (Nasser, Sadat and Mubarak) to upgrade the Egyptian system of local governance without giving up power or democratising local governments. He traces the rise and increasing influence of Islamist challenges to loyalist networks and explains how the efficacy of Islamist mobilisation over the past two decades influenced the region's response to the events of the Egyptian Revolution in 2011. Key features  Offers a comprehensive understanding of the way that the Egyptian authoritarian regime has upgraded its system of local governance since Nasser  Maps out the motivations for the process of authoritarian upgrading of local governance, as well as its benefits for authoritarianism  Analyses of the role of the state ruling party, focusing on the changing relationships between the local state and the Arab Socialist Union (1962-78) and the former National Democratic Party (1978-2011)  Includes a microanalysis based on extensive fieldwork in the Greater Cairo peri-urban fringe Hani Awad is a Researcher at the Arab Center for Research and Policy Studies, Doha Institute.

Describes and analyses British pressure to partition and ultimately destroy the Ottoman Empire Although it was at times valuable to Britain to support the Ottoman Empire against Russian encroachment, by the end of the 19th century successive British governments had begun to sponsor the dismemberment of the Empire. British public opinion and political pressure groups portrayed the Ottomans in universally defamatory terms, affecting the diplomatic actions of politicians. Some politicians themselves harboured deep prejudices against the Turks and Islam. The result, through numerous incidents, was British pressure to dismember the Ottoman Empire. Justin McCarthy shows how - from ignoring provisions guaranteeing Ottoman territorial integrity to refusing to publish consular reports that described the oppression of Muslims - the British were anything but friends to the Ottomans. Key Features  An in-depth study of British relations with the Ottoman Empire and the Turks  Considers British plans for the Ottoman Empire in the most important crises of the late 19th and early 20th centuries  Draws extensively on British diplomatic records and records of other European Powers, the Ottoman Empire and Turkey  Examines the role of diplomats, media, the church and politicians in fostering negative views about the Ottoman Turks and Muslims  Helps us understand the historical origins of many of the conflicts in the Balkans, Anatolia, the Middle East and even in the Caucasus Justin McCarthy is Emeritus Professor of History at the University of Louisville. His recent books include The Armenian Rebellion at Van (2006), The Turk in America (2010) and Sasun (2014).

The first book to comprehensively address W.B. Yeats's engagements across the arts as both writer and cultural worker

The first comparative analysis of royalist and Covenanter political thought within a cross-confessional European context During the Scottish Revolution (1637-1651), royalists and Covenanters appealed to Scottish law, custom and traditional views on kingship to debate the limits on King Charles I's authority. However, they also engaged with the political, legal and ecclesiological ideas of 16th - and 17th-century Protestant and Catholic authors beyond the British Isles. This book explores the under-examined European context for Scottish political thought, analysing how royalists and Covenanters adapted Lutheran, Calvinist and Catholic ideas to their own debates about church and state. By focusing on Covenanted Scotland (a location often overlooked in histories of early modern political thought), this book provides a critical new perspective on how ecclesiological concerns informed the advancement of political ideas commonly associated with secularisation and the modern state. In doing so, it also demonstrates the diversity of intellectual traditions underlying the religious and political transformations of this revolutionary period in Scottish history. Key Features - Provides a comprehensive examination of the intellectual traditions underlying the Scottish Revolution. - Highlights the diversity of early modern Scottish intellectual culture by comparing royalist and Covenanter ideas about church and state. - Situates Scottish political thought in a cross-confessional and transnational European context (rather than an exclusively British, Scottish or Reformed one). - Challenges secularisation narratives by examining intrinsic connections between ecclesiology and political thought. - Demonstrates interdisciplinary engagement with political thought, theology and philosophy. Karie Schultz is a Leverhulme Early Career Fellow at the University of St Andrews.

Examines the production, distribution, reception and repair of mina'i ware

At a time when patterns of Christian life and worship appear to be dying out, yet traces of new life are also appearing, this volume maps out the current reality of Christianity in Western and Northern Europe with all its questions and uncertainties.

[headline]The most wide-ranging study of the history of children's periodicals to date Since the publication of the first children's periodical in the 1750s, magazines have been an affordable and accessible way for children to read and form virtual communities. Despite the range of children's periodicals that exist, they have not been studied to the same extent as children's literature. The Edinburgh History of Children's Periodicals marks the first major history of magazines for young people from the mid-eighteenth century to the present. Bringing together periodicals from Britain, Ireland, North America, Australia, New Zealand and India, this book explores the roles of gender, race and national identity in the construction of children as readers and writers. It provides new insights both into how child readers shaped the magazines they read and how magazines have encouraged children to view themselves as political and world subjects. [editor bios]Kristine Moruzi is Associate Professor in the School of Communication and Creative Arts at Deakin University, Australia. Beth Rodgers is Senior Lecturer in Nineteenth-Century Literature at Aberystwyth University, Wales. Michelle J. Smith is an Associate Professor of Literary Studies at Monash University, Australia.

Examines the role occupied by the senses and the self in approaches to literary mimesis in nineteenth-century European literature Offers the first full set of comparative readings of works by E. T. A. Hoffmann and Honoré de Balzac, arguing that Balzac was a keen and sensitive reader of Hoffmann's works Introduces little-known primary materials by these two canonical authors, including visual material such as a hand-drawn line copied out by both Hoffmann and Balzac from Laurence Sterne's Tristram Shandy Makes the case for a new phenomenological reading of mimesis, emphasizing the role of the senses and the self in representation, by arguing simultaneously for a renewed understanding of the relationship between Romanticism and Realism Brings its focus to the motif of the line in order to open up an interdisciplinary approach to mimesis, understanding writing as a practice that lies alongside, and crosses over with, the act of drawing and other forms of mark-making Since Plato's Republic, mimesis -- the artwork's tacit claim to reflect or imitate real life -- has faced a near-constant stream of assaults, being accused of naturalising a supposedly uncomplicated relationship between world and fiction. Lines of Mimesis offers a revisionary account of mimesis. Specifically, it proposes a rethinking of the representational attitudes of two literary schools usually understood to be at odds with one another -- Romanticism and Realism -- through close readings of writings and drawings made by two figures usually taken to be proponents of those schools respectively: E. T. A. Hoffmann and Honoré de Balzac. Across these readings, Dickson argues that a more capacious understanding of mimesis is achieved when we understand it to pertain not to the reduplication of objects in the world, but to a negotiation of the subject's sensory entwinement with those objects. This new understanding can, in turn, more closely illuminate an artwork's own reflections on its relationship to the world, shedding light on the entanglements and crossovers between Romanticism and Realism.

[headline]Explores how Virginia Woolf reimagined the environment and nonhuman life in her writing The first half of the twentieth century was a period of accelerated resource extraction, industrial intensification and tipping points in pollution levels, hastening the emergence of an epoch in which humans are the key drivers of planetary change. Virginia Woolf and the Anthropocene situates Woolf's oeuvre as an important body of work within the literary history of our new planetary period, showing how her fiction and non-fiction engages with questions around climate change, environmental politics, imperial extractivism, eco-philosophy, species difference, natural history and extinction. Bringing together leading and emergent scholars, this collection recognises Woolf as a writer who was profoundly influenced by ecological and environmental questions throughout her life. It brings to light how Woolf responded to the environmental changes of her time and illuminates how her literary innovations continue to offer compelling ways of imagining the nonhuman and the planetary in our present moment. [bio]Peter Adkins is Lecturer in Modernist Literature at the University of Edinburgh. He is the author of The Modernist Anthropocene: Nonhuman Life and Planetary Change in James Joyce, Virginia Woolf and Djuna Barnes (2022) and co-editor of Virginia Woolf, Europe and Peace: Aesthetics and Theory (2020). He has written widely on modernism, the environment and posthumanism.

[headline]The emergence of a mass reading public during the early decades of the nineteenth century sparked a period of creative innovation in the popular press While today we might associate 'new media' with digital technologies, such innovations have a long history that precedes - and in many ways anticipates - the present moment. This collection reveals how the period between 1820 and 1845 was crucial in the development of the modern press, including experimentation with new publication formats; the reinvention and remediation of older forms; and the definition of new kinds of contributors and audiences for print. It brings to light the contributions of many important but long-forgotten writers, illustrators and editors who created and harnessed the idea of a mass reading public and shows how steam printing, popular education campaigns and new technologies of illustration led to new trends in book and periodical production. [bio]Alexis Easley is Professor of English at the University of St. Thomas in St. Paul, Minnesota. She is the author of First-Person Anonymous: Women Writers and Victorian Print Media, 1830-70 (2004) and Literary Celebrity, Gender, and Victorian Authorship, 1850-1914 (2011). She has also co-edited four books, most recently Women, Periodicals, and Print Culture in Britain, 1830s-1900s, with Clare Gill and Beth Rodgers (2019).

[headline]Extends the existing body of scholarship on Comic Gothic to cover new media, contemporary texts and writing from a range of cultures Comic Gothic: An Edinburgh Companion explores the role of irony, satire, parody, pastiche and the absurd in Gothic texts dating from the eighteenth century to the present day. By bringing together important analyses of classic and recent Gothic texts, this collection assesses the place of Comic Gothic in the realms of culture, social interaction and politics. From revisiting foundational Gothic writers such as Horace Walpole to highlighting contemporary Gothic fiction from across the world, seventeen essays examine the role of comedy in early formations of the Gothic and the genre today. Its particular focus on the use of Comic Gothic in social media, popular culture and the visual domain make this book a distinctive and original contribution to Gothic Studies. [editor biographies] Avril Horner is Emeritus Professor of English Literature at Kingston University, London. With Sue Zlosnik she has co-authored many articles and several books, including Daphne du Maurier: Writing, Identity and the Gothic Imagination (1998), Gothic and the Comic Turn (2005) and Women and the Gothic (2016). Other works include Edith Wharton: Sex, Satire and the Older Woman (with Janet Beer, 2011) and Living on Paper: Letters from Iris Murdoch, 1934-1995 (with Anne Rowe, 2015). Sue Zlosnik is Emeritus Professor of English at Manchester Metropolitan University and former co-President of the International Gothic Association. With Avril Horner, she has published six books, including the aforementioned, as well as numerous articles. Alone, she has published essays on writers as diverse as J. R. R. Tolkien and Chuck Palahniuk, and a monograph, Patrick McGrath (2011). She is co-editor (with Agnes Andeweg) of Gothic Kinship (2013).

Studies the impact of science and technology on the painting of Gerhard Richter Aline Guillermet uncovers Richter's appropriation of science and technology from 1960 to the present and shows how this has shaped the artist's well-documented engagement with the canon of Western painting. Through a study of Richter's portraits, history paintings, landscapes and ornamental abstractions, Guillermet reveals the artist's role in affirming the technological condition of painting in the second half of the twentieth century: a historical situation in which the medium and its conventions have become shaped, and to some extent transformed, by technological innovations. Aline Guillermet teaches History of Art at the Institute of Continuing Education, University of Cambridge and is a former Fellow of King's College, Cambridge.

[headline]Refines our understanding of Virginia Woolf as a politically engaged writer Virginia Woolf and Capitalism explores Woolf's engagement with and critiques of capitalism throughout her life, arguing for its central importance in our understanding of her as an author, activist and publisher. Galvanised by existing scholarship on the place of economics, class, gender and empire in Woolf's writing, this collection draws attention to her thinking about history, labour and economics and gives space for understandings of Woolf in the context of our own late-capitalist moment. Chapters by leading and emerging scholars range across Woolf's oeuvre in all its generic diversity, from her earliest short fiction and Night and Day to Three Guineas and Between the Acts, showcasing a range of critical approaches from the archival to the creative to the pedagogical. This collection demonstrates how productive and provocative thinking about Woolf's fiction and non-fiction through the lens of capitalism can be for Woolf scholars. [bio]Clara Jones is Senior Lecturer in Modern Literature at King's College London. She is the author of Virginia Woolf: Ambivalent Activist (2016).

Presents a new way of examining the historical significance and endurance of Mary, Queen of Scots

Explores how the longest peace of the early modern Middle East was established and consolidated

Explores Scottish and international Christian responses to social problems in urban-industrial societies since 1800 How did Christians perceive and respond to new social problems of distinctly modern societies as they developed in Scotland and other countries during the 19th century? Amid the complexities of industrialisation, urbanisation, expanding global trade networks and nascent democratic politics, what kinds of social policies and initiatives did Christians in Scotland pursue and why? In honour of Stewart J. Brown's 34 years as Professor of Ecclesiastical History at the University of Edinburgh's School of Divinity, new research on one of his main areas of interest is presented in this edited collection from 14 distinguished and emerging scholars in modern religious history. Centred on historical analyses of religious communities in Scotland, the chapters provide comparative lenses with which to view sociological and theological developments in Scotland, through examinations of similar religious phenomena in England, Germany, the Netherlands and the USA. Andrew Kloes is a fellow of the Royal Historical Society and a historian in Washington, DC. Laura M. Mair is the Mary R. S. Creese Lecturer in Modern Scottish History at the University of Aberdeen and an Honorary Fellow of the University of Edinburgh's School of Divinity.

[headline]Examines Jane Austen's engagement with the broad range of artistic practices featured in her work Jane Austen was a keen consumer of the arts throughout her lifetime. The Edinburgh Companion to Jane Austen and the Arts considers how Austen represents the arts in her writing, from her juvenilia to her mature novels. The thirty-three original chapters in this Companion cover the full range of Austen's engagement with the arts, including the silhouette and the caricature, crafts, theatre, fashion, music and dance, together with the artistic potential of both interior and exterior spaces. This volume also explores her artistic afterlives in creative re-imaginings across different media, including adaptations and transpositions in film, television, theatre, digital platforms and games. [editor biographies]Joe Bray is Professor of Language and Literature at the University of Sheffield. He is the author of books and articles on fiction of the eighteenth and early nineteenth centuries, including The Language of Jane Austen (2018) and The Portrait in Fiction of the Romantic Period (2016). Hannah Moss works in the heritage industry. She completed her PhD at the University of Sheffield and is the co-editor of a special issue of the journal Women's Writingo on the topic of women writers and the creative arts in Britain, 1660-1830. She has also published articles on Germaine de Staël, Ann Radcliffe and Felicia Hemans.

Studies captivity as cross-cultural interaction in the late medieval Mediterranean

How does art transform our understanding of realism in the post-truth era? Arguing for the necessity of taking art's contribution to contemporary realism seriously, this edited collection intervenes on contemporary debates about realism by demonstrating that the arts do not simply illustrate philosophical theories. The significance of art's realism in times characterised by the normalisation of fake, manipulated and distorted representations of reality can only be fully understood by attending to the ways that the arts mediate, visualise and even shape reality. Each chapter features a different approach to realism and its aesthetic dimensions not only in the visual arts, but also in sound art, film, scientific imaging and literature. Maryse Ouellet is Research Associate in the Department of Media Studies at the University of Bonn. Amanda Boetzkes is Professor of Contemporary Art History and Theory at the University of Guelph.

FRONT FLAP THE EDINBURGH EDITION OF WALTER SCOTT'S POETRY GENERAL EDITOR: Alison Lumsden Walter Scott was born in Edinburgh in 1771 and had a remarkable literary career as a translator, editor, poet, novelist and dramatist. His work was read across the world and his literary and cultural legacies both at home and abroad are profound. Scott died at Abbotsford, his home in the Scottish Borders, in 1832. Scott's poetry dominated the early years of the nineteenth century. However, his significance for Romantic poetry has been lost by the absence of a recent and reliable edition. This new critical edition, which offers a companion to the Edinburgh Edition of the Waverley Novels, aims to redress this situation with the very first complete collection of his poetry, offering newly edited texts, material hitherto uncollected, and supportive materials to allow readers to experience afresh the poetry that Scott wrote throughout his career. Bringing together for the first time Scott's complete poetical works, including several unpublished works, this edition: - restores Scott's notes to the status that they held during the early stages of publication - is edited to the standards established by the Edinburgh Edition of the Waverley Novels, revisiting all the textual witnesses to establish reliable fresh texts - provides full textual apparatus and explanatory annotation to aid the reading of these neglected masterpieces by a twenty-first-century audience The Edinburgh Edition invigorates our understanding of Walter Scott's poetry and provides the contexts for understanding the foundations of his literary career BACK COVER [headline] The original poetry by Walter Scott in the Waverley Novels and other works This scholarly edition offers the first reliably identified collection of Walter Scott's original poetry in the Waverley Novels, the letters and the Journal. Past editors of Scott found it hard to recognise what is and is not quotation; but thanks to modern databases the poems in this volume have been identified as almost certainly his own. This collection demonstrates, again, Scott's brilliant versatility in the handling of verse forms and his extraordinary range of voice. The poetry of the Waverley Novels is often dramatic, being uttered or sung by one of the characters; mottoes at the heads of chapters stand in a critical relationship to the narrative; the poetry of the letters and Journal is often quizzical and self-mocking; and there are many superb parodies. As part of the 'meaning' of these poems lies in their context, this collection succinctly contextualises each one. It also provides full textual and explanatory annotation and an essay which explores, among other things, the wavering boundary between new creation and quotation. [bio] David Hewitt was formerly Regius Professor of English at the University of Aberdeen. He was Editor-in-Chief of the Edinburgh Edition of the Waverley Novels, for which he edited: Rob Roy (2008), The Heart of Mid-Lothian (with Alison Lumsden; 2004), Redgauntlet (with G. A. M. Wood; 1997), and The Antiquary (1995). BACK FLAP THE EDINBURGH EDITION OF WALTER SCOTT'S POETRY The Lay of the Last Minstrel Marmion The Lady of the Lake Rokeby Don Roderick, The Bridal of Triermain, The Field of Waterloo and Harold the Dauntless The Lord of the Isles Shorter Poems Poetry from the Waverley Novels and Other Works Verse Drama Scott's Reflections on Poetry: 1830 Introductions and 1833 essays [bio] Alison Lumsden is Regius Professor of English at the University of Aberdeen where she directs the Walter Scott Research Centre.

[headline]Brings together queer theory and textual studies to revise our understanding of nineteenth-century print culture Queer books, like LGBTQ+ people, adapt heteronormative structures and institutions to introduce space for discourses of queer desire. Queer Books of Late-Victorian Print Culture explores print culture adaptations of the material book, examining the works of Aubrey Beardsley, Michael Field, John Gray, Charles Ricketts, Charles Shannon and Oscar Wilde. It closely analyses the material book, including the elements of binding, typography, paper, ink and illustration, and brings textual studies and queer theory into conversation with literary experiments in free verse, fairy tales and symbolist drama. King argues that queer authors and artists revised the Revival of Printing's ideals for their own diverse and unique desires, adapting new technological innovations in print culture. Their books created a community of like-minded aesthetes who challenged legal and representational discourses of same-sex desire with one of aesthetic sensuality. [bio]Frederick D. King teaches at Dalhousie University as an Assistant Professor for the Faculty of Management. His research examines Victorian literature and print culture, aestheticism, decadence, and queer theory. His work has been published in the Journal of Modern Literature, Contemporary Literature, Victorian Periodicals Review, Cahiers Victoriens et édouardiens and Victorian Review.

Explores the relationship between the arts, political agency and peace formation Artpeace represents a conceptual framing of the synergy between the arts and peacemaking, as well as a methodological strategy for addressing war and political conflict through the arts. Building on fieldwork undertaken in seven locations across Africa, Asia, Europe and Latin America, this book investigates to what extent local and community art projects have played a role in broader national peace projects. Equally, it also looks into the factors that have blocked artists from translating their social imaginaries into political change in contexts of war and violence. The edited collection brings together peace and conflict scholarship with arts-based studies of social movements in conflict-affected societies to examine the proposition that the arts may offer an opportunity to shape peace processes in emancipatory ways, whilst examining the blockages that, at times, prevent them from making a tangible difference to the variations of peace being designed. Stefanie Kappler is Professor in Conflict Resolution and Peacebuilding at the School of Government and International Affairs at Durham University. Oliver Richmond is Research Professor in IR and Peace and Conflict Studies at the University of Manchester. Birte Vogel is Senior Lecturer in Humanitarianism, Peace and Conflict Studies at the Humanitarian and Conflict Response Institute (HCRI), University of Manchester.

[headline]A uniquely comprehensive two-volume study of Mina Loy's relationship to the human body and soul Mina Loy has long been recognised as a writer who insists on the primacy of the corporeal. Over two volumes, Sara Crangle excavates how Loy's relationship to the human body was inextricable from her esoteric understanding of the human soul. Elevated Realms is the first study book-length study devoted to Loy's affinities with alternative spiritualities ancient and modern. Aligning Loy's heterodoxies with her vanguardism, this volume considers Loy's engagements with mesmerism, spiritualism and telepathy; enchantment and visionariness; psychoanalysis, philosophy and physics; Christian Science and Theosophy. Attending to Loy's presentations of the upper half of the body - heartscapes, spines, eyes and nerve centres - Elevated Realms unearths the coordinates of Loy's esoteric Eros, a transcendent, orgasmic love that is cosmic, intimate, aesthetic and a corrective to women's disregarded satiation. The requisite counterpart to her acerbic feminist satires, Loy's Eros re-envisions abjectified, feminised posturing as a dorsality with the potential to access the beyond. [bio]Sara Crangle is Professor of Modernism and the Avant-Garde at the University of Sussex, where she researches and teaches literature and culture from 1850 onward, emphasising approaches experimental and decolonial. Her books include I'm Working Here: The Collected Poems of Anna Mendelssohn (2020); On Bathos: Literature, Art, Music (with Peter Nicholls, 2012); Stories and Essays of Mina Loy (2011); and Prosaic Desires: Modernist Knowledge, Boredom, Laughter, and Anticipation (Edinburgh University Press, 2010).

Bringing together leading scholars, this volume is the first of its kind to address the growing global phenomenon of transnational repression - using tactics that include surveillance, coercion, harassment and physical violence - in a comparative perspective.

[headline]A comprehensive study of the representations of disability and illness in the fiction of J. M. Coetzee This study offers a detailed analysis of the fiction of J. M. Coetzee, including the novels of the South African and Australian periods, to demonstrate the development of Coetzee's engagement with the complexities of non-normative embodiment. In this illuminating monograph, Pawel Wojtas demonstrates the extent to which Coetzee's multifaceted depictions of disability offer a sustained critique of the ableist implications of political violence and neoliberal inclusionism alike. Exploring a wide range of notions, such as ocularnormativism, mute speech, eco-disability, disability Gothic, dismodernism, autogerontography, and bibliotherapy, Wojtas shows how Coetzee's 'disabled textuality' provokes a sustained meditation on various forms of cultural denigration of disability experience. [bio]Pawel Wojtas is an Assistant Professor at the Faculty of 'Artes Liberales, ' University of Warsaw, Poland. He completed his PhD in Arts and Humanities at the University of Warsaw (2012), was a Post-Doctoral Research Fellow at the University of York (2018) and The Kosciuszko Foundation Research Fellow at the Harry Ransom Center, University of Texas at Austin (2022). His research examines literary representations of disability in contemporary English and related literary fiction.

Presents and sets in context all of Cunninghame Graham's Scottish works, transcribed from their original sources R. B. Cunninghame Graham was a hugely influential figure in late 19th- and early 20th-century Scottish politics and literature. For the first time, his entire Scottish oeuvre has been compiled chronologically, from their original sources, into one volume, and set in their historical, cultural and social contexts. This volume highlights Graham's writings on landscape, climate, history, local traditions, mythology, Scots dialect and social diversity - but also pays rare attention to his writings about Scots abroad. Almost every location of Graham's sketches has been visited and investigated, and the editors - one of whom has intimate connections to his family history - have sought out individuals with local knowledge and insights, lending depth and substance to his descriptions, and to their commentaries. The book also explores the works themselves, and traces Graham's development as a much-admired literary artist and social documentarist whose atmospheric evocations of Scottish landscape and character are unique within Scottish literature. Lachlan Munro is an independent scholar and freelance historian. W. R. B. (Robin) Cunninghame is the great-great-nephew of R. B. Cunninghame Graham and holds the Barony of Gartmore as head of the Cunninghame Graham family. He is a Fellow of The Society of Antiquaries (Scotland).

[headline]Redefines the ways in which performance studies and appropriation theory can be used to approach Shakespeare Bringing together the discrete fields of appropriation and performance studies, this collection explores pivotal intersections between the two approaches to consider the ethical implications of decisions made when artists and scholars appropriate Shakespeare. The essays in this book, written by established and emerging scholars in subfields such as premodern critical race studies, gender and sexuality studies, queer theory, performance studies, adaptation/appropriation studies and fan studies, demonstrate how remaking the plays across time, cultures or media changes the nature both of what Shakespeare promises and the expectations of those promised Shakespeare. Using examples such as rap music, popular television, theatre history and twentieth-century poetry, this collection argues that understanding Shakespeare at different intersections between performance and appropriation requires continuously negotiating what is signified through Shakespeare to the communities that use and consume him. [bios]Louise Geddes is Professor of English at Adelphi University, USA. Kathryn Vomero Santos is Assistant Professor of English and co-director of the Humanities Collective at Trinity University, USA. Geoffrey Way is the Manager of Publishing Futures for the Arizona Center for Medieval and Renaissance Studies and ACMRS Press, where he serves as the Managing Editor for The Sundial and Borrowers and Lenders.