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The Art of Defiance

About The Art of Defiance

Examines how the arts popularised militant resistance to the monarchy in 1970s Iran At a time of growing state control, censorship and wholesale crackdown on opposition in post-1953 Iran, intellectuals and artists began to produce works that defied the Shah's dictatorship and the regime's 'Great Civilisation' propaganda. With the emergence of urban guerrilla warfare in 1971 - spearheaded by the Marxist People's Fadai Guerrillas (PFG) - dissident artists created symbolic works that popularised the militants' ideas through artistic depictions and tropes, while portraying the militants as immortal freedom-fighters. The arts of defiance thus swayed young educated Iranians, as well as certain layers of the public, to perceive the state through the eyes of its most radical critiques: militant dissidents. By closely examining and interpreting the poetry, fiction, songs and films of the 1960s and 1970s, this book uncovers how militant action was translated into artistic expressions and vice versa. It also explores how the PFG militants - who were few in number - were able to acquire a 'heroic' dimension in the eyes of the public, portraying a symbolic image of defiance far beyond their actual militant existence. Key Features  The first comprehensive study of the relationship between the arts and revolutionary action of Iranian dissidents of the 1970s  Examines popular poets (Nima Yushij, Ahmad Shamlu, Mehdi Akhavan-Sales, Khosrow Golesorkhi), writers (Sadeq Chubak, Samad Behrangi, Gholam Hossein Sa'edi), filmmakers (Massoud Kimiai, Amir Naderi, Ebrahim Golestan), lyricists (Shahyar Ghanbari and Iraj Janantie-Atai) and singers (Farhad Mehrad and Dariush Eghbali)  Provides an analytical approach that reveals how arts and action are braided and inseparable through symbols and semiosis Peyman Vahabzadeh is Professor of Sociology at University of Victoria. He is the author of many books, including A Guerrilla Odyssey: Modernization, Secularism, Democracy and the Fadai Discourse of National Liberation in Iran, 1971-1979 (2010) and A Rebel's Journey: Mostafa Sho'aiyan and Revolutionary Theory in Iran (2019).

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  • Language:
  • English
  • ISBN:
  • 9781474492232
  • Binding:
  • Paperback
  • Pages:
  • 344
  • Published:
  • February 13, 2024
  • Dimensions:
  • 156x19x234 mm.
  • Weight:
  • 494 g.
Delivery: 2-4 weeks
Expected delivery: January 26, 2025

Description of The Art of Defiance

Examines how the arts popularised militant resistance to the monarchy in 1970s Iran At a time of growing state control, censorship and wholesale crackdown on opposition in post-1953 Iran, intellectuals and artists began to produce works that defied the Shah's dictatorship and the regime's 'Great Civilisation' propaganda. With the emergence of urban guerrilla warfare in 1971 - spearheaded by the Marxist People's Fadai Guerrillas (PFG) - dissident artists created symbolic works that popularised the militants' ideas through artistic depictions and tropes, while portraying the militants as immortal freedom-fighters. The arts of defiance thus swayed young educated Iranians, as well as certain layers of the public, to perceive the state through the eyes of its most radical critiques: militant dissidents. By closely examining and interpreting the poetry, fiction, songs and films of the 1960s and 1970s, this book uncovers how militant action was translated into artistic expressions and vice versa. It also explores how the PFG militants - who were few in number - were able to acquire a 'heroic' dimension in the eyes of the public, portraying a symbolic image of defiance far beyond their actual militant existence. Key Features  The first comprehensive study of the relationship between the arts and revolutionary action of Iranian dissidents of the 1970s  Examines popular poets (Nima Yushij, Ahmad Shamlu, Mehdi Akhavan-Sales, Khosrow Golesorkhi), writers (Sadeq Chubak, Samad Behrangi, Gholam Hossein Sa'edi), filmmakers (Massoud Kimiai, Amir Naderi, Ebrahim Golestan), lyricists (Shahyar Ghanbari and Iraj Janantie-Atai) and singers (Farhad Mehrad and Dariush Eghbali)  Provides an analytical approach that reveals how arts and action are braided and inseparable through symbols and semiosis Peyman Vahabzadeh is Professor of Sociology at University of Victoria. He is the author of many books, including A Guerrilla Odyssey: Modernization, Secularism, Democracy and the Fadai Discourse of National Liberation in Iran, 1971-1979 (2010) and A Rebel's Journey: Mostafa Sho'aiyan and Revolutionary Theory in Iran (2019).

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