Join thousands of book lovers
Sign up to our newsletter and receive discounts and inspiration for your next reading experience.
By signing up, you agree to our Privacy Policy.You can, at any time, unsubscribe from our newsletters.
In a wind-battered Mayo cottage, playwright Jack Ferris tries to salvage something from his broken love affair with Catherine Adams. Drink and despair drove her away; can his imagination call her back? But as he summons up her past, Jack finds he has also called up Catherine's RUC father and a whole dangerous world of opposed traditions.
Since his debut, Nil Nil, won the Forward Prize for Best First Collection in 1993, Don Paterson has lit up the poetry scene in the U.K. His dazzling, intensely lyric and luminous verse has delighted readers ever since, and won many awards along the way. God's Gift Women took the T. S. Eliot Prize in 1997, Landing Light won it again in 2003 and the Whitbread Award besides, and Rain (2009), his most recent collection, won the Queen's Gold Medal for Poetry. This selection, drawn from twenty years of work, is made by the author himself and includes not only those poems from his four single volumes, but his thrilling and original adaptations of the poems of Antonio Machado and Rainer Maria Rilke. For any readers unfamiliar with Don Paterson's work, this Selected Poems offers the perfect introduction to this most captivating of writers; and for fans, an essential gathering from a master craftsman.
Falling in love is one of the strangest things we can do - and one of the things that makes us uniquely human. But what happens to our brains when our eyes meet across a crowded room? Why do we kiss each other, forget our friends, seek a 'good sense of humour' in Lonely Hearts adverts and try (and fail) to be monogamous? How are our romantic relationships different from our relationships with friends, family or even God? Can science help us, or are we better off turning back to the poets?Basing his arguments on new and experimental scientific research, Robin Dunbar explores the psychology and ethology of romantic love and how our evolutionary programming still affects our behaviour. Fascinating and illuminating, witty and accessible, The Science of Love and Betrayal is essential reading for anyone who's ever wondered why we fall in love and what on earth is going on when we do.
Literary biography is an endlessly fascinating form, not least because of the fierce controversies that attend the question of how much of a writer's real life ought to be related to readers. Ian Hamilton, a first-rate biographer who encountering his share of adversity in writing the life of J.D. Salinger, is the perfect chronicler of such controversies in this brilliant study, first published in 1992, which charts the course of literary biography from Donne and Shakespeare to Plath and Larkin.'Such a compelling read.' Antonia Fraser, Times'Lively and informative, powerfully and humorously written.' Anthony Burgess, Observer'Surely the funniest book ever written on the doom-laden issue of posthumous literary fame.' Jonathan Keates, Independent
Conceived as a showcase for Britain's burgeoning manufacturing industries and the exotic products of its Empire, the Great Exhibition at the Crystal Palace was Britain's first truly national spectacle. Michael Leapman explores how the exhibition came into being; the key characters who made it happen (from Prince Albert, who was credited with the idea, to Thomas Cook, whose cheap railway trips ensured its accessibility to all); and the fascinating tales behind the exhibits that fired the imagination of the era. 'The best kind of popular history: exact, imaginative and full of fun.' Sunday Telegraph`Splendid... Michael Leapman brings a child's delight to the wonders of the Exhibition and his enthusiastic prose makes his readers feel they are almost walking down its aisles.' Mail on Sunday`Entertaining and engaging' Independent
'There is the puzzle which it is the purpose of this book to try to elucidate. On the one hand, we have the alleged deficiencies of suburban taste; on the other we have the appeal it holds for ninety out of a hundred Englishmen, an appeal which cannot be explained away as some strange instance of mass aberration...'Sir James Richards (1907-1992), editor of the Architectural Review for 34 years, was arguably the leading advocate in Britain for the modern movement in architecture. The Castles on the Ground (1946) constitutes Richards' argument for and appreciation of the virtues of the built environment and the architectural aesthetic of suburbia. Concise and elegantly phrased, the volume is further blessed with superb illustrations by John Piper.
As a boy in 1934 Paul Vaughan unwittingly became part of a social trend - a great mass migration to the outskirts of London - as his family moved from Brixton to booming New Malden, where their new semi was a mere stroll away from countryside. This was Suburbia, and its outlook was not entirely promising. But Vaughan was so fortunate as to find an inspirational headmaster - John Garrett - at his local grammar school, which boasted a school song composed by Garrett's friend W.H. Auden. In due course he would find his way to Oxford; but as this evocative account testifies, New Malden would never quite leave him.'Wonderfully readable, wonderfully wry.' Edward Blishen, TES'Recalled with a Betjemanesque affection and eye for detail.' Peter Parker, Telegraph
Marx and Engels invented it; Lenin volunteered Russia for the honour of trying it; the Soviet people had to live with it.. This tongue-in-cheek travel guide is a cherishably witty insight into the chaotic, bewildering and sometimes scary society that resulted from this heroically doomed effort to "e;build Communism"e;. It teaches you basic Soviet survival skills including how to queue for useless products, bribe your way into empty restaurants and contravene anti-alcohol measures.'The authors' pen is driven not only by a blind hatred of socialism but also a genuine pathological medical condition.' Young Communists' Pravda (1986).'In 1986 USSR was a prescient, hilarious and inspirational take on the evil empire. For Soviet totalitarianism ridicule was a deadly foe. To Polonsky and Taylor, the thanks of all those who were once captive and are now free.' Edward Lucas, International Editor, Economist
The Oracles was the twelfth novel published by Margaret Kennedy (1896-1967) and its titular subjects are the members of a group of provincial intellectuals who happen upon what seems to them a piece of stunningly advanced modern sculpture. Possibly they are not to be blamed for failing to see that it is, in fact, only a commonplace garden chair that has been struck by lightning and twisted radically out of shape. However, under a delusion, The Oracles endeavour to force their fellow townsmen to purchase the 'work' with public money. This comedy of suspense, tension and confusion presents yet another splendid demonstration of Margaret Kennedy's remarkable storytelling gift.
'I am hungry for your presence. I hanker for the great blaze of your glance which when you turn it on me, will burn out the husk of my body and draw my soul to you.'Julia O'Faolian's second novel, first published in 1973, offers a rich, vivid portrait of the political and religious turmoil of sixth-century Gaul, wherein we find Radegunda, wife of King Clotair having been seized by him as a prize of war. Radegunda builds a convent, a refuge for the Brides of Christ, and there becomes renowned for her austerity and mysticism. Her religion, however, is fanatical, and her quest for sainthood will serve to undermine the seeming calm of the retreat she has made.'Vibrant and strange... [a] journey into a darker, wilder moment of history.' Sarah Dunant, Guardian
In 1964, Mary Whitehouse launched a campaign to fight what she called the 'propaganda of disbelief, doubt and dirt' being poured into homes through the nation's radio and television sets. Whitehouse, senior mistress at a Shropshire secondary school, became the unlikely figurehead of a mass movement for censorship: the National Viewers' and Listeners' Association, now Mediawatch-uk.For almost forty years, she kept up the fight against the programme makers, politicians, pop stars and playwrights who she felt were dragging British culture into a sewer of blasphemy and obscenity. From Doctor Who ('Teatime brutality for tots') to Dennis Potter (whose mother sued her for libel and won) to the Beatles - whose Magical Mystery Tour escaped her intervention by the skin of its psychedelic teeth - the list of Mary Whitehouse's targets will read to some like a nostalgic roll of honour.Caricatured while she lived as a figure of middle-brow reaction, Mary Whitehouse was held in contempt by the country's intellectual elite. But were some of the dangers she warned of more real than they imagined? Ben Thompson's selection of material from her extraordinary archive shows Mary Whitehouse's legacy in a startling new light. From her exquisitely testy exchanges with successive BBC Directors General, to the anguished screeds penned by her television and radio vigilantes, these letters reveal a complex and combative individual, whose anxieties about culture and morality are often eerily relevant to the age of the internet. 'A fantastic read . . . I can't recommend it highly enough.' Lauren Laverne, BBC Radio 6 Music
A soldier returns from the frontline of battle to report that Pekkala's charred body has been found at the site of an ambush. But Stalin refuses to believe that the indomitable Pekkala is dead.On Stalin's orders, Pekkala's assistant Kirov travels deep into the forests of Western Russia, following a trail of clues to a wilderness where partisans wage a brutal campaign against the Nazi invaders.Unknown to Kirov, he is being led into a trap.A new enemy has emerged from the fog of war, more deadly than any Kirov or Pekkala have ever faced before. Pursuing the legend of a half-human creature, said to roam the landscape of this war within a war, each step brings Kirov closer to the truth about Pekkala's disappearance. Meanwhile, Pekkala's nemesis is also closing in for the kill.
Longlisted for the Man Booker Prize'Good God, thought Oliver, as he saw the smile. She thinks I'm him! And all at once he knew it was so. HewasDr Norman Wilfred.'On the sunlit Greek island of Skios, the Fred Toppler Foundation's annual lecture is to be given by Dr Norman Wilfred, the world-famous authority on the scientific organisation of science. He turns out to be surprisingly young and charming - not at all the intimidating figure they had been expecting. The Foundation's guests are soon eating out of his hand. So, even sooner, is Nikki, the attractive and efficient organiser.Meanwhile, in a remote villa at the other end of the island, Nikki's old school-friend Georgie waits for the notorious chancer she has rashly agreed to go on holiday with, and who has only too characteristically failed to turn up. Trapped in the villa with her, by an unfortunate chain of misadventure, is a balding old gent called Dr Norman Wilfred, who has lost his whereabouts, his luggage, his temper and increasingly all normal sense of reality - everything he possesses apart from the flyblown text of a well-travelled lecture on the scientific organisation of science...And as the time draws ever nearer for one or other Dr Wilfred - or possibly both - to give the eagerly awaited lecture, so Skios - Greece - Europe - career off their appointed track.Longlisted for the Man Booker Prize,Skiosis a story of mislaid identity, misdirected passion and miscalculated consequences. Michael Frayn is also the celebrated author of fifteen plays includingNoises Off,CopenhagenandAfterlife.His other bestsellingnovels includeHeadlong, which was shortlisted for the Man Booker Prize andSpies, which won the Whitbread Best Novel Award.
Unapologetic is a brief, witty, personal, sharp-tongued defence of Christianity, taking on Dawkins' The God Delusion and Christopher Hitchens' God is Not Great.Its argument is that Christianity is recognisable, drawing on the deep and deeply ordinary vocabulary of human feeling, satisfying those who believe by offering a ruthlessly realistic account of the bits of our lives advertising agencies prefer to ignore. It's a book for believers who are fed up with being patronised, for non-believers curious about how faith can possibly work in the twenty-first century, and for anyone who feels there is something indefinably wrong, literalistic, anti-imaginative and intolerant about the way the case for atheism is now being made.Fresh, provoking and unhampered by niceness, this is the long-awaited riposte to the smug emissaries of New Atheism.
What is behind the phenomenal success of entertainment businesses such as Warner Bros., Marvel Enterprises and Manchester United - along with such stars as Jay-Z and Lady Gaga? Which strategies give leaders in film, television, music, publishing, and sports an edge over their rivals? Anita Elberse, Harvard Business School's expert on the entertainment industry, has done pioneering research on the worlds of media and sports for more than a decade. Now, in this groundbreaking book, she explains a powerful truth about the fiercely competitive world of entertainment: building a business around blockbuster products - the movies, television shows, songs and books that are hugely expensive to produce and market - is the surest path to long-term success. Along the way, she reveals why entertainment executives often spend outrageous amounts of money in search of the next blockbuster, why superstars are paid unimaginable sums and how digital technologies are transforming the entertainment landscape. Full of inside stories emerging from her unprecedented access to some of the world's most successful entertainment brands, Blockbusters is destined to become required reading for anyone seeking to understand how the entertainment industry really works - and how to navigate today's high-stakes business world at large. 'Convincing . . . Elberse's Blockbusters builds on her already impressive academic r,sum, to create an accessible and entertaining book.' Financial Times
There were two Norman Conquests. John Julius Norwich is the consummate historian of the 'other' one: the conquest of Sicily.When on Christmas Day 1130 Roger de Hauteville was crowned first King of Sicily, the island entered a golden age. Norman and Italian, Greek and Arab, Lombard, Englishman and Jew all contributed to a culture that was as brilliant as it was cosmopolitan; and to an atmosphere of racial and religious toleration unparalleled in Europe. But sixty-four years later, to the day, the sun set on the Sicilian Kingdom. In this second volume of his history (The Normans in the South 1016-1130 is also in Faber Finds) Norwich describes the reigns of the grotesquely misnamed William the Bad and the Good and the bastard Tancred. We read, too, of St Bernard, magnetic but insufferable; of Adrian IV, the only English Pope; of Richard the Lionheart (behaving abominably in Messina); and other notables.This scintillating narrative history is also a superb traveller's guide, listing every Norman building extant on Sicily.
Science and Human Values was originally a lecture by Jacob Bronowski at MIT in 1953. Published five years later, it opens unforgettably with Bronowski's description of Nagasaki in 1945: 'a bare waste of ashes', making him acutely aware of science's power both for good and for evil.After such knowledge, what forgiveness? With care and erudition Bronowski argues that scientific endeavour is an essentially creative act, part of a great shared human interest in ourselves and the world around us; and, routinely, a process of trial-and-error, the end of which is not - cannot be - preordained. 'Above all, Bronowski strove to make science and technology answerable to social progress, to 'human values.' He anticipated the deepening gap between the 'two cultures' and knew that the sciences must be restored to a place in political common sense.' George Steiner
'TWO NAKED NUNS AVAILABLE PHILADELPHIA' is the strangest cable ever to come to Flaxborough. Inspector Purbright, who has coped with a few odd things in his time, finds it opens a rich lode of skullduggery, deceit and sudden death. Flaxborough is a quiet market town in the east of England, discreetly prosperous, respectable and brimming with provincial virtues. However, beneath the bland surface, strange passions seethe. The little foibles of its citizens afford more than ample scope to the wisdom and pertinacity of Inspector Purbright.First published in 1975, The Naked Nuns is the eighth novel in the Flaxborough series and displays Watson's characteristic dry wit and striking observation.'Flaxborough, that olde-worlde town with Dada trimmings.' Sunday Times
An exploration of the strange poetry of Dickens's imagination by leading academic and critic John Carey.Setting aside the usual interpretations of Dickens's work, A Violent Effigy delves into the wonderful, terrible fantasy world it inhabited. It shows Dickens torn between the appeal of violence and a fanatical orderliness: he was attracted by characters who commit murder or burst into flame or want to eat one another, but also required people soaped and regimented. The children he created were either the pious gnomes beloved of Victorian readers or callous, sharp-nosed children who pick out adults by the odd personal atmospheres they carry around. Among his females are mythic women whose insidious miniature weapons - needles, scissors - threaten the dominant male. He created a shadow-land between life and death, peopled by effigies, walking coffins, waxworks, stuffed creatures and disturbingly animated corpses. John Carey skilfully shows how Dickens demolished Victorian shams, while keeping at bay the terrors of his fantasy. He celebrates, above all, Dickens' peculiar genius for renewing the world by the curious lights he saw in it.
F. R. Leavis was the chief editor of Scrutiny, which between 1932 and 1953 had some claim on being the most influential literary journal in the English-speaking world. The Common Pursuit is a selection of Leavis's essays from Scrutiny, including his robust defence of Milton against T. S. Eliot, his deeply-felt engagement with Shakespeare, and his severe strictures on attempts to import sociology and political activism into the study of literature. The title of the book comes from a passage in Eliot's 'The Function of Criticism', in which the poet argues that the critic must engage in 'the common pursuit of true judgment'. For Leavis, this meant a strenuous insistence on discriminatory criticism - clear statements about what is good and morally mature and admirable, and equally clear condemnation of what is trivial. The Common Pursuit, with its controversial judgments of Bunyan and Auden, Swift and Forster, remains as challenging now as it did in 1952, and it is easy to see why Leavis - who was never offered a professorship by Cambridge University - held such sway over the study of English literature in his time.
A panoramic novel that stretches from 1912 to 1967 No Laughing Matter is perhaps Angus Wilson's most autobiographical novel. The novel chronicles the end of the bourgeois way of life as seen through the lives of the six Matthews children and their dysfuntional middle-class family. Their parents - Billy Pop and the Countess - are objects of ridicule to their children who vow never to make their mistakes. Quentin, the eldest, is a socialist who adores women. His fervent views, however, become distilled over the years until he transforms into a cynical TV pundit. Gladys, plump and amenable, is unlucky in love and eventually falls for the charms of a crook. Rupert, the handsome actor, has a successful career until he fails to adapt to the changing theatre. Margaret is a brilliant and highly acclaimed novelist but she becomes bitter as her twin Sukey sinks into domestic bliss, while Marcus, the baby of the family, believes that his career is his life. An ambitious and enriching novel No Laughing Matter is an extraordinary work in its depictions of complex family relationships, where it is just as easy to hate as to love and where everyone struggles to be an individual.
Farmer's Glory was first published in 1932. It was A. G. Street's first book and remains his most famous. In his own modest words 'This book is simply an attempt to give a pen picture of farming life in Southern England and Western Canada.' It succeeds memorably.Compton Mackenzie, reviewing it in the Daily Mail, wrote, 'Let me recommend it to the general public as a model of unpretentious English, an enthralling picture of rural life on both sides of the Atlantic, a manual of deadly common sense, and a thing of beauty. It will go on the shelf of my library with Cobbett's Rural Rides and White's Natural History of Selborne'. The comment about 'unpretentious English' is interesting. So exemplary was it considered to be in that respect, Cambridge University selected it as one of its set books for what was then School Certificate. His daughter, Pamela Street, marvelled at that, remembering he left school at the age of fifteen.'A classic within that special genre of country-writing ... a wealth of fine detail and anecdote ... the author's voice and personality come through with an undimmed vividness - shrewd, dogged, humorous and charged with the warmth of humanity.' Desmond Hawkins, Country Life
For lovely Julia Harton, unhappily married to a brutally successful pet food executive, a dramatic death in the fairground seems to provide a deliciously easy means of escape. But for Inspector Purbright, it is the harbinger of a bizarre and increasingly nasty case. Mysteries abound, including the precise truth behind the initials RIP, the role of Happy Endings Inc, and, not least, the exact contents of certain tins of dog food.Flaxborough is a quiet market town in the east of England, discreetly prosperous, respectable, brimming with the provincial virtues. But beneath the bland surface, strange passions seethe. The little foibles of its citizens afford more than ample scope to the wisdom and pertinacity of Inspector Purbright. First published in 1977, One Man's Meat is the ninth novel in the Flaxborough series and displays Watson's characteristic dry wit and striking observation.'Sharp and stylish and wickedly funny.' Literary Review'Flaxborough, that olde-worlde town with Dada trimmings.' Sunday Times
'She pranced towards the edge of the clearing, swerved and came back for another fire vault. Her hands moved in gestures of sinuous supplication. . . Then Mrs Pentatuke would halt on tiptoe, shut tight her eyes behind the bejewelled glasses, and cry in a rich tenor: "e;O mighty spirit! We are thine! Amen evil from us deliver but!"e; 'It is the eve of Saint Walpurga and the respectable housewives of Flaxborough are dancing naked around fires. It is also brought to Inspector Purbright's attention that there are darker forces at work. This includes reports of Satanism, cult sacrifice and black magic, as well as the vicious ritual killing that shocks the town. Is there a practitioner of the dark arts in Flaxborough or is that just a smokescreen for a mere murder?Broomsticks over Flaxborough is the seventh in Colin Watson's 'Flaxborough chronicles'. First published in 1972 it was described by Julian Symons as having 'all the virtues one looks for in a crime novel.'
Detective Inspector Purbright of the Flaxborough police force is used to a life of quietude in a small market town, yet he knows that behind the outward respectability of typical English communities a darker underbelly of greed, crime and corruption lurks. Chalmsbury, a neighbouring town to Flaxborough, has been experiencing a series of explosions that have destroyed many of the town's monuments. Explosives have even gone missing from the Flaxborough civil defence centre and Purbright is seconded to the baffled Chalmsbury police force to help them discover the culprit. When one of the locals is killed Purbright is forced to delve into the community of eccentric residents in a desperate hunt for the killer and finds that, like Flaxborough, Chalmsbury is every bit as rich in genteel assassination. First published in 1960 Bump in the Night is Colin Watson's second book in the Flaxborough series.'He has all the virtues one looks for in a crime novel: a gift for writing dialogue, a sense of character, a style which moves from easy flippancy to positive grace.' Julian Symons
The Flaxborough Crab was first published in 1969, although its title in the US was Just What the Doctor Ordered, and is the sixth novel in the Flaxborough series. H. R. F. Keating, in his critical study Crime and Mystery: The 100 Best Books, praised the 'solidity of Watson's Flaxborough saga.' Watson, Keating said, 'created in his imaginary Flaxborough a place it is not preposterous to compare with the creation of Arnold Bennett in his classic Five Towns novels, or even perhaps with William Faulkner's Yoknapatawpha County'. All twelve of Colin Watson's 'Flaxborough Chronicles' were set in this fictional town that could be found somewhere in the East of England and it is home to 15,000 inhabitants that appear, on the surface at least, to be bland and conservative, but as the novels show appearances can be deceiving. . . . Raising another flower - a lank, brownish-yellow affair - Miss Pollock deliberately avoided the leading contestant's eye and looked appealingly to the further part of her audience. 'Now, what about some of you other ladies? Wouldn't you like to have a try?''Old Man's Vomit,' snapped the omniscient Mrs. Crunkinghorn. 'You don't want to hold that too near your dress, me dear.'
The humour of self-deprecation is peculiarly English. Few people do it better than Jeremy Lewis. His first two autobiographical volumes - Playing for Time and Kindred Spirits - are being reissued in Faber Finds to coincide happily with his third volume - Grub Street Irregular - being published by HarperCollins.With a sharp eye for the absurd and a fond sympathy for life's eccentrics, in Playing for Time, Jeremy Lewis treats us to uproarious tales from his time in Dublin in the 1960s, mad escapades in Europe and America, life amidst the snares and delusions involved in growing up in middle-class England in the 1950s, and of his ever unrequited passion for the ever unattainable ffenella.Richard Cobb enjoyed this book so much he managed to review it twice, a quote from one will do.'I like books that make me laugh, and Jeremy Lewis's Playing for Time kept me laughing every night in my local for a week'.
There is no shortage of books on the ill-fated Gallipoli campaign of 1915 but this one stands out. In it Geoffrey Moorhouse moves the focus from the more familar aspects to concentrate on one small mill town, Bury, in Lancashire, and to anatomize the long-lasting effect the Dardanelles had on it. Bury was the regimental home of the Lancashire Fusiliers. In the Gallipoli landings of 25 April 1915 it lost a large proportion of its youth. By May 1915, some 7,000 Bury men had already gone to war, to be followed by many others before Armistice Day. More than 1,600,from just three local battalions of the Fusiliers were among those who never returned. The regiment left 1,816 dead men on Gallipoli alone: it lost 13,642 soldiers in the Great War as a whole.This terrifying sacrifice left its mark. Bury commemorates Gallipoli on a scale similar to Anzac Day in Australia and New Zealand and yet as the Second World War approached, recruitment to the regiment fell far behind that in other Lancashire towns. 'Hurtles one from rage and cynicism to involvement and tenderness . . . Moorhouse offers one of the most fascinating revelations of the orthodox British spirit, religious, political and social . . . This book makes wonderful reading.' Ronald Blythe, Sunday Times 'A fascinating new approach to this tragedy . . . Moorhouse's contribution (to the bibliography of Gallipoli) is of quite outstanding value.' Robert Rhodes James, The Independent 'A subtle and moving exploration of the way that memories of slaughter and loss shaped the town's post-first world war identity.' Terry Eagleton, New Statesman
Unfinished Adventure, published in 1933, is Evelyn Sharp's autobiography. It is a remarkable book recounting a remarkable life. Born in 1869, Evelyn Sharp was the sister of the folk song and dance expert, Cecil Sharp. A journalist, writer, pacifist and suffragist, Evelyn Sharp writes vividly about all aspects of her life: her school-days, Paris in 1890 , the Yellow Book, the Manchester Guardian, her conversion to Suffragism, her imprisonment in Holloway, her war work, her relief work in Germany and Russia in the nineteen-twenties, and finally, in her own words, 'The Greatest of All Adventures': the day she completed this book she married the campaigning writer and journalist, H. W. Nevinson.A. S. Byatt has described Evelyn Sharp as 'perspicacious, witty and a very good writer.' Evelyn Sharp and her autobiography deserve to be better knownFaber Finds is very pleased to be reissuing An Unfinished Adventure at the same time as the Manchester University Press publish Angela John's biography, Evelyn Sharp: Rebel Woman, 1869-1955
In the foreword to the first edition Geoffrey Moorhouse wrote:'In a sense, the story of Calcutta is the story of India . . . It is the story of how and why Empire was created and what happened when Empire finished . . . The imperial residue of Calcutta, a generation after Empire ended, is both a monstrous and a marvellous city. Journalism and television have given us a rough idea of the monstrosities but none at all of the marvels. I can only hope to define the first more clearly and to persuade anyone interested that the second is to be found there too'. Geoffrey Moorhouse succeeds triumphantly in his aims. First published in 1971 this title has stood the test of time. Remarkably it was the first full-length study of Calcutta, seat of the British Raj, since 1918.'The book is organized out of a profound understanding of the true issues and is brilliantly executed.' Paul Scott, Guardian
Sign up to our newsletter and receive discounts and inspiration for your next reading experience.
By signing up, you agree to our Privacy Policy.