Books published by Peter Lang AG, Internationaler Verlag der Wissenschaften

This book aims to address the lack of sustained attention given to Margaret Tait's large body of work, offering a contextualisation of Tait's films within a general consideration of Scottish cinema and artists' moving image. The book's grounding in detailed archival research offers new insights into Scotland (and Britain) in the Twentieth century.

This book examines European football's development from a long-term transnational perspective, from 1905 to 1995. It offers a space for discussion between young and more experienced historians from different countries, leading to a better understanding of the turning points in the Europeanisation of the game.

Navid Kermani - author, journalist and academic - has been at the forefront of recent debates about Islam and its role in Germany's political, social and cultural life. This is the first volume of criticism in English dedicated to Kermani's varied work, including an original interview with the author and a collection of essays on his writing.

During the late 1920s and the 1930s, the Italian government sought various commercial and politically oriented solutions to cope with the advent of new sound technologies in cinema. The translation of foreign-language films became a recurrent topic of ongoing debates surrounding the use of the Italian language, the rebirth of the national film industry and cinema's mass popularity. Through the analysis of state records and the film trade press, The Politics of Dubbing explores the industrial, ideological and cultural factors that played a role in the government's support for dubbing. The book outlines the evolution of film censorship regulation in Italy and its interplay with film translation practices, discusses the reactions of Mussolini's administration to early Italian-language talkies produced abroad and documents the state's role in initiating and encouraging Italians' habit of watching dubbed films.

Recueil de textes portant sur differents aspects l'ontologie du philosophe polonais Roman Ingarden. Collection of papers on various aspects of the ontology of the Polish philosopher Roman Ingarden.

This book offers a new, complex understanding of Indian writing in English by focusing its analysis on both Indo-Pakistani Partition fiction and novels written by women. The author gives a comprehensive outline of Partition novels in India, Pakistan, and Bangladesh written in English as well as an overview of the challenges of studying Partition literature, particularly English translations of Partition novels in regional languages. Featured works include Salman Rushdie's Midnight's Children, Bapsi Sidhwa's Ice-Candy-Man, Amitav Ghosh's Shadow Lines, Meena Arora Nayak's About Daddy, and Sujata Sabnis's A Twist in Destiny. The book then moves on to a study of novels by women writers such as Githa Hariharan, Kiran Desai, Anita Desai, and Arundhati Roy, exploring their perspectives on sexuality, the body, and the diaspora.

This book contains articles on translator training, professional translation and aspects of economic translation (stock exchanges, banking, tourism, real estate). Esta obra contiene trabajos sobre formacion de traductores, traduccion profesional y aspectos de la traduccion economica (bolsa, banca, turismo, sector inmobiliario).

This book examines how media can be used in facilitating crisis control following natural disasters. Set in the context of the contemporary Chinese nationalistic culture this book dissects how Chinese media enhances disaster relief by constructing the meaning of it. It takes a historical overview of the negotiations between discursive power and media coverage of natural disasters in Chinese media. It then conducts a case study of the 2008 Wenchuan earthquake to analyze how Chinese media enhance crisis control in engaging with contemporary Chinese nationalism. In examining the mediated disaster relief closely relevant to this study within a global context this book briefly analyzes the Australian media's representation of the 2013 Tasmanian Bushfire. In a penetrating investigation of the research question a systematic theoretic framework is structured consisting of the theories of representation, discourse and power, cultural identity, media framing and narratives.

This book explores from a new perspective the adaptations of Shakespeare in the Restoration, and how they contributed to the rise of the cult of the National Poet in an age where his reputation was not yet consolidated. Adaptations are fully independent cultural items, whose paratexts play a crucial role in the development of Bardolatry; their study initially follows seminal works of Bakhtin and Genette, but the main theoretical background is anthropology, with the groundbreaking theories of Mary Douglas. The many voices that feature the paratexts of the adaptations and the other texts, such as those of John Dryden, Thomas Betterton, William Davenant, Nahum Tate, John Dennis, and many others, create a composite choir where the emerging sacrality of the cult of the Bard was just one of the tunes, in an age when Shakespeare has not yet become Shakespeare.

This book analyses Zola's fiction from a psychoanalytical standpoint, focusing in particular on the author's family secret. The study scans for sub-textual issues of sexual insecurity and anxiety, which are analysed through the psychoanalytical theories of Abraham, Toroks, Freud and Lacan.

The recent emergence and increasing visibility of Islam as Italy's second religion is an issue of undeniable importance. It has generated an intense and often polarized debate that has involved all the cultural, political and religious institutions of the country and some of its most vocal and controversial cultural figures. This study examines some of the most significant voices that have made themselves heard in defining Italy's relationship with Islam and with the Islamic world, in a period of remarkable geopolitical and cultural upheaval from 9/11 to the Arab Spring. It looks in detail at the nature of the arguments that writers, journalists and intellectuals have adduced regarding Islam and at the connections and disjunctions between opposing positions. It examines how events such as military intervention in Afghanistan and Iraq or the protests in Tahrir Square have been represented within Italy and it analyses the rhetorical framework within which the issue of the emergence of Islam as an internal actor within Italian civil society has been articulated.

This book studies the uses and effects of utopian visions on history, literature and culture of the Portuguese-speaking countries; topics include national identity, political strategies, missionary doctrine and literary figures from Camoes to Jose Saramago.

With the migration of cinema into the art gallery, artists have been turning, with remarkable regularity and ingenuity, to Alfred Hitchcock-related images, sequences and iconography. The world of Hitchcock's cinema - a classical cinema of formal unities and narrative coherence - represents more than the spectre of a supposedly dead art form: it transcends its own filmic and institutional contexts, becoming an important audio-visual lexicon of desire, loss, mystery and suspense. Through a detailed study of the Hitchcock-related work of artist-filmmakers Matthias Muller and Christoph Girardet, Johan Grimonprez, Pierre Huyghe, Douglas Gordon and Atom Egoyan, this book facilitates a dialogue between the creative appropriation of Hitchcock's films and the cinematic practices that increasingly inform the wider field of the contemporary visual arts. Each chapter is structured around a consideration of how the artwork in question has reconfigured or 'remade' key Hitchcockian expressive elements and motifs - in particular, the relationship between mise en scene and the mechanics of suspense, time, memory, history and death. In a career that extended across silent and sound eras as well as the British, European and Hollywood industries, Hitchcock's film A uvre can be seen as a history of the cinema itself. As the work of these contemporary artist-filmmakers shows, it was also a history of the future, a paradigm case par excellence.

In the early 1990s, Berlin and Shanghai witnessed the dramatic social changes in both national and global contexts. While in 1991 Berlin became the new capital of the reunified Germany, from 1992 Shanghai began to once again play its role as the most powerful engine of economic development in the post-1989 China. This critical moment of history has fundamentally transformed the later development of both cities, above all in terms of urban spatial order. The construction mania in Shanghai and Berlin shares the similar aspiration of re-modernizing themselves. In this sense, the current experience of Shanghai and Berlin informs many of the features of urban modernity in the post-Cold-War era. The book unfolds the complexity of the urban space per se as highly revealing cultural texts. Also this project doesn't examine the spatial changes in chronological terms, but rather takes the present moment as the temporal standing point of this research. By comparing the memory discourse related to these spatial changes, the book poses the question of how modernity is understood in the matrix of local, national and global power struggles.

The volume offers a collection of best practice European projects carried out in university contexts with the aim of highlighting the relevant role that Language Centres play in the field of language learning. A variety of project topics is described showing project coordinators' willingness of promoting cooperation which encourages a wide-angled multilingual and multicultural perspective.

This book analyses the role of middle-class housing in the shaping of post-war European and American cities. Observing the processes of design, construction and transformation in 12 different countries, it provides a striking, multi-faceted overview of this residential heritage and challenges its role in the contemporary city.

This interdisciplinary study, situated at the cross-section of music, literature and gender, examines the woman singer and her song as a literary motif in French and German prose fiction from the 1790s to the mid-nineteenth century. Through selected case studies, this diachronic history of motifs offers a fresh perspective on canonical singer archetypes, such as Goethe's child singer Mignon and Madame de Stael's ground-breaking artist Corinne. The volume also examines lesser known narratives by authors including Caroline Auguste Fischer, E.T.A. Hoffmann, Hector Berlioz and Marceline Desbordes-Valmore, some of which have not been considered critically in this regard before. This allows for a re-evaluation of the significance of the singer motif in musical narratives from the Romantic era to the July Monarchy. The sometimes polemic, often ambivalent, yet always nuanced and multi-layered reflection on the woman singer in literature bears testimony to the complexity of the nineteenth-century musical-literary discourse and its fluid negotiation of gender relations and female performance, fitting well with that ineffable, enigmatic essence of the woman singer herself who, as a literary motif and a cultural icon, continues to resonate and fascinate well beyond the nineteenth century.

This biography reveals the full significance of Robert Briscoe's influence within the contentious political culture of the early Irish state, as well as reinforcing his importance to the global Zionist rescue effort of the 1930s. Drawing on a wealth of previously unavailable archival material, the book charts Briscoe's evolution from a fringe Sinn Fein activist in 1917 to a member of Michael Collins's personal staff in 1921. It also analyses his agonizing decision to abandon Collins and support the anti-Treaty stance of his close friend and political hero, Eamon de Valera, before becoming a founding member of Fianna Fail in 1926. Most importantly of all, the book investigates Briscoe's evolving Jewish awareness, looking at his involvement in a traumatic immigration endeavour and also at his engagement with Ze'ev Jabotinsky and the New Zionist Organisation, under whose auspices he led political rescue missions to Poland, America and South Africa.

Community Radio in the Twenty-First Century

This book commemorates the fiftieth anniversary of the Second Vatican Council, which concluded in 1965. A selection of essays by distinguished Irish theologians offers an objective assessment of the historical reception and pastoral implementation of Vatican II in Ireland with the benefit of half a century's hindsight.

This volume originates in the 2011 conference of the International Network for the History of Hospitals. It focuses on how institutions for the care and cure of the sick have organized their activities, from the delegation of treatments between practitioners, to the provision of food and supplies and the impact on recovery of hospital stays.