Routledge Revivals: Painting, Language and Modernity (1985)

First published in 1985, this book draws together the authorΓÇÖs artistic with analytical practices which had been developed over many years of sociological enquiry. It interprets a ΓÇÿwork of artΓÇÖ as a site on which a viewer or critic is invited to share in questioning celebration of the painting itself. The author reassesses modern paintingΓÇÖs relation to its own origins and to tradition in light of the emergence of ΓÇÿpostmodernΓÇÖ practice ΓÇö exploring its engagement of fundamental questions about language and being. Also assessed is the relevance of the metaphors of writings and Reading to an understanding of painting and viewing practices ΓÇö looking at paintersΓÇÖ writings as well as phenomenological and post-structuralist writers.