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The Lookout Man

part of the Phoenix Poets series

About The Lookout Man

"Sometimes elegiac, sometimes deadly comic, but always vivid and surprising, The Lookout Man embodies the mastery, spirit, and craft that we have come to depend upon in Stuart Dischell's poetry. In a mix of recognizable lyric forms, and set in diverse locales from the middle of the ocean to the summit of Mont Blanc, from America's back yard to the streets of international cities, there is a hesitant, almost encroaching wisdom in The Lookout Man, alternately nostalgic and fierce in nature. The poet doesn't shy away from taking on the big, risky, some would say played-out topics, but the poems never lead us where we expect to go. Rather, Dischell allows messy contradictions to exist in the drama and action of the poems, even while maintaining the beautiful form and music of polished verse. In a wonderful example that closes the book and that typifies Dischell's work, he writes, "I will ask the dogwoods to remind me // "What it means to live along the edges of the woods / To be promiscuous but bear white flowers.""--

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  • Language:
  • English
  • ISBN:
  • 9780226817835
  • Binding:
  • Paperback
  • Pages:
  • 80
  • Published:
  • March 27, 2022
  • Dimensions:
  • 216x140x9 mm.
  • Weight:
  • 122 g.
  In stock
Delivery: 3-5 business days
Expected delivery: December 29, 2024
Extended return policy to January 30, 2025
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Description of The Lookout Man

"Sometimes elegiac, sometimes deadly comic, but always vivid and surprising, The Lookout Man embodies the mastery, spirit, and craft that we have come to depend upon in Stuart Dischell's poetry. In a mix of recognizable lyric forms, and set in diverse locales from the middle of the ocean to the summit of Mont Blanc, from America's back yard to the streets of international cities, there is a hesitant, almost encroaching wisdom in The Lookout Man, alternately nostalgic and fierce in nature. The poet doesn't shy away from taking on the big, risky, some would say played-out topics, but the poems never lead us where we expect to go. Rather, Dischell allows messy contradictions to exist in the drama and action of the poems, even while maintaining the beautiful form and music of polished verse. In a wonderful example that closes the book and that typifies Dischell's work, he writes, "I will ask the dogwoods to remind me // "What it means to live along the edges of the woods / To be promiscuous but bear white flowers.""--

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