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The Many That I Am – Writings from Nagaland

About The Many That I Am – Writings from Nagaland

A grandmother‿s tattoos, the advent of Christianity, stories woven into fabrics, a tradition of orality, the imposition of a “newâ€? language, and a history of war and conflict‿all of this and much more informs the writers and artists in this book. Filmmaker and writer Anungla Zoe Longkumer brings together, for the first time, a remarkable set of stories, poems, first-person narratives, and visuals that showcase the breadth of Naga women‿s creative and literary expression. The essays are written in English, a language the Nagas‿who had no tradition of written literature‿made their own after the arrival of Christianity in the region during the nineteenth century. In The Many That I Am, each writer speaks of the many journeys women undertake to reclaim their pasts and understand their complex present. Â

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  • Language:
  • English
  • ISBN:
  • 9789385932793
  • Binding:
  • Hardback
  • Pages:
  • 160
  • Published:
  • March 31, 2021
  • Dimensions:
  • 206x138x21 mm.
  • Weight:
  • 266 g.
  In stock
Delivery: 3-5 business days
Expected delivery: December 29, 2024

Description of The Many That I Am – Writings from Nagaland

A grandmother‿s tattoos, the advent of Christianity, stories woven into fabrics, a tradition of orality, the imposition of a “newâ€? language, and a history of war and conflict‿all of this and much more informs the writers and artists in this book. Filmmaker and writer Anungla Zoe Longkumer brings together, for the first time, a remarkable set of stories, poems, first-person narratives, and visuals that showcase the breadth of Naga women‿s creative and literary expression. The essays are written in English, a language the Nagas‿who had no tradition of written literature‿made their own after the arrival of Christianity in the region during the nineteenth century. In The Many That I Am, each writer speaks of the many journeys women undertake to reclaim their pasts and understand their complex present. Â

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