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Two Discourses

- I. an Essay On the Whole Art of Criticism, As It Relates to Painting ... Ii. an Argument in Behalf of the Science of a Connoisseur; Wherein Is Shewn the Dignity, Certainty, Pleasure, and Advantage of It

About Two Discourses

Explore the art of criticism and connoisseurship with Jonathan Richardson in this enlightening discourse. Richardson, a prominent 18th-century British art critic, lays out the principles of art criticism and argues for the importance of the connoisseur in the art world. Whether you're an artist, an art lover, or simply interested in the history of art, this book is a must-read. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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  • Language:
  • English
  • ISBN:
  • 9781019533864
  • Binding:
  • Hardback
  • Published:
  • July 17, 2023
  • Dimensions:
  • 156x234x25 mm.
  • Weight:
  • 803 g.
Delivery: 2-3 weeks
Expected delivery: December 12, 2024

Description of Two Discourses

Explore the art of criticism and connoisseurship with Jonathan Richardson in this enlightening discourse. Richardson, a prominent 18th-century British art critic, lays out the principles of art criticism and argues for the importance of the connoisseur in the art world. Whether you're an artist, an art lover, or simply interested in the history of art, this book is a must-read.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.
This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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