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Women's Dance Traditions of Uzbekistan

About Women's Dance Traditions of Uzbekistan

The first comprehensive work in English on the three major regional styles of Uzbek women's dance - Ferghana, Khiva and Bukhara - and their broader Silk Road cultural connections, from folklore rootsto contemporary stage dance. The book surveys the remarkable development from the earliest manifestations in ancient civilizationsto a sequestered existence under Islam; from patronage under Soviet power to a place of pride for Uzbek nationhood. It considers the role that immigration had to play on the development of the dances; how women boldly challenged societal gender roles to perform in public; how both material culture and the natural world manifest in the dance; and it illuminates the innovations of pioneering choreographers who drew from Central Asian folk traditions, gestures and aesthetics - not Russian ballet - to first shape modern Uzbek stage dance. Written by the first American dancer invited to study in Uzbekistan, this book offers insight into the once-hidden world of Uzbek women's dance.

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  • Language:
  • English
  • ISBN:
  • 9781350249516
  • Binding:
  • Hardback
  • Pages:
  • 248
  • Published:
  • March 20, 2024
  • Dimensions:
  • 129x25x198 mm.
  • Weight:
  • 210 g.
Delivery: 2-3 weeks
Expected delivery: November 22, 2024

Description of Women's Dance Traditions of Uzbekistan

The first comprehensive work in English on the three major regional styles of Uzbek women's dance - Ferghana, Khiva and Bukhara - and their broader Silk Road cultural connections, from folklore rootsto contemporary stage dance. The book surveys the remarkable development from the earliest manifestations in ancient civilizationsto a sequestered existence under Islam; from patronage under Soviet power to a place of pride for Uzbek nationhood. It considers the role that immigration had to play on the development of the dances; how women boldly challenged societal gender roles to perform in public; how both material culture and the natural world manifest in the dance; and it illuminates the innovations of pioneering choreographers who drew from Central Asian folk traditions, gestures and aesthetics - not Russian ballet - to first shape modern Uzbek stage dance. Written by the first American dancer invited to study in Uzbekistan, this book offers insight into the once-hidden world of Uzbek women's dance.

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