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Critical Race Theory and Copyright in American Dance

- Whiteness as Status Property

About Critical Race Theory and Copyright in American Dance

The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loie Fuller, George Balanchine, and Martha Graham.

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  • Language:
  • English
  • ISBN:
  • 9781137321961
  • Binding:
  • Hardback
  • Pages:
  • 243
  • Published:
  • November 6, 2013
  • Dimensions:
  • 138x222x19 mm.
  • Weight:
  • 428 g.
Delivery: 2-3 weeks
Expected delivery: December 15, 2024

Description of Critical Race Theory and Copyright in American Dance

The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loie Fuller, George Balanchine, and Martha Graham.

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