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Critical Race Theory and Copyright in American Dance
- Whiteness as Status Property
- Binding:
- Paperback
- Pages:
- 243
- Published:
- November 6, 2013
- Edition:
- 12013
- Dimensions:
- 140x216x14 mm.
- Weight:
- 3261 g.
Delivery:
1-2 weeks
Expected delivery: December 12, 2024
Description of Critical Race Theory and Copyright in American Dance
The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loie Fuller, George Balanchine, and Martha Graham.
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