The Ternary Distinction of Film Music

The author addresses the problematic categorization of film music in terms of the reductive diegetic/nondiegetic binary distinction. Caillez Angeles reconstructs the binary to establish a new tripartite schema that subsumes ambiguous classifications of film music that remain sitting outside and within the binary regions. Following the law of parsimony, the schema proffers a new way to organize film music without destabilizing categorial logic.