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Women Music Educators in Institutions

- Pathways Into, Through and Beyond Colleges of Advanced Education (CAEs) in Adelaide 1973-1990

About Women Music Educators in Institutions

This thesis concerns music educators' pathways from early-life musical-training contexts, through a Graduate Diploma course at a College of Advanced Education, and into practice as music educators; these three key periods also shaped the data analysis. The methodology employed was life-story research, and methods of data collection comprised interviews of nineteen informants and document study. The conceptual framework combined the notion of contextualising music education pathways as social-learning experiences with Bourdieuian perspective on practices to explore the fields traversed. From analysis of the accounts of the informant's life stories it was found that multiple social-learning experiences across musician and teaching settings provided the practices from which they could reify and construct their professional identity as classroom teachers or instrumental music teachers.

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  • Language:
  • English
  • ISBN:
  • 9780228844136
  • Binding:
  • Paperback
  • Pages:
  • 270
  • Published:
  • December 28, 2020
  • Dimensions:
  • 280x216x14 mm.
  • Weight:
  • 630 g.
Delivery: 1-2 weeks
Expected delivery: December 1, 2024

Description of Women Music Educators in Institutions

This thesis concerns music educators' pathways from early-life musical-training contexts, through a Graduate Diploma course at a College of Advanced Education, and into practice as music educators; these three key periods also shaped the data analysis.

The methodology employed was life-story research, and methods of data collection comprised interviews of nineteen informants and document study. The conceptual framework combined the notion of contextualising music education pathways as social-learning experiences with Bourdieuian perspective on practices to explore the fields traversed.

From analysis of the accounts of the informant's life stories it was found that multiple social-learning experiences across musician and teaching settings provided the practices from which they could reify and construct their professional identity as classroom teachers or instrumental music teachers.

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