Books in the New Trends in Translation Studies series

Offers a range of analyses of the multiplicity of opinions and ideologies attached to rendering, in familiar or unfamiliar voices, languages known as non-standard varieties. In this title, the contributions include theoretical reflections, case studies and comparative studies that draw from full spectrum of translation strategies.

This book explores the various options and techniques available to and used by translators when translating from English to Japanese. The work is rich in both the theory and practice of translation and contains numerous examples from popular texts, ranging from classics to detective novels to science fiction.

Like Mookie in Spike Lee's Do the Right Thing, translators are at the nexus between cultures, making difficult decisions with sometimes dramatic consequences. Drawing on the fields of translation studies, sociolinguistics and film studies, this book analyses the French subtitling of African American English in films from the USA.

The present study examines the interrelation between literary texts, their successive retranslations and the corresponding historical, social and cultural backgrounds that inform these versions. The book considers how translations of works may change over time and how this influences perceptions of the translated authors themselves.

During the late 1920s and the 1930s, the Italian government sought various commercial and politically oriented solutions to cope with the advent of new sound technologies in cinema. The translation of foreign-language films became a recurrent topic of ongoing debates surrounding the use of the Italian language, the rebirth of the national film industry and cinema's mass popularity. Through the analysis of state records and the film trade press, The Politics of Dubbing explores the industrial, ideological and cultural factors that played a role in the government's support for dubbing. The book outlines the evolution of film censorship regulation in Italy and its interplay with film translation practices, discusses the reactions of Mussolini's administration to early Italian-language talkies produced abroad and documents the state's role in initiating and encouraging Italians' habit of watching dubbed films.

This book aims to shed light on how translations of popular music contribute to fostering international relations by focusing on a case study of Turkish-Greek rapprochement in the last two decades. Drawing on a range of disciplines, the book explores the multifaceted nature of translation and music and their wide-ranging impact on society.

Subtitling films in another language becomes especially complex when the original language deviates from its standard form. Films that feature non-standard pronunciation, dialects or other varieties of language, especially when juxtaposed with more standard uses, are said to display linguistic variation As language use is central to characters' identities and to a film's plot, it is essential to retain the source language (SL) specificity as fully as possible in the target language (TL) subtitles so the target audience can experience the film as authentically as possible. Given its considerable difficulty, subtitling in this manner is often advised against, avoided or, when attempted, subjected to considerable criticism. This book focuses on a collection of British and French films selected for the range of approaches that they adopt in portraying linguistic variation. Each chapter explores the challenges posed by the subtitling of such linguistic difference in the given films and the corresponding solutions offered by their subtitlers. Drawing on these findings and referring to contemporary thinking in the field of translation studies, this book argues that with insight and skill, linguistic variation can be preserved in film subtitles.

This volume explores the expansion of audiovisual translation (AVT) studies and practices within European institutions, universities and businesses. Contributors focus on the intersections of AVT with cultures and languages and address the important issue of media accessibility.

Translations of Cervantes' "Don Quijote" (1605) take pride of place among foreign literature in China. In this book, a corpus-based stylistic study is used to explore two contemporary Mandarin Chinese translations of "Don Quijote": those by Yang Jiang (1978) and Liu Jingsheng (1995).

To date, translation theory offers no satisfactory response to the multidimensional challenge of rerendering postmodern texts. As the existence of linguistic and cultural plurality in these writings is now widely acknowledged, many theorists recognise the impossibility of achieving complete equivalence in translation. If the fragmented, decentred, postmodern source text (ST) is to be rerendered in the target language (TL), a process of 'rewriting' is deemed necessary. Nevertheless, such an approach, if taken too far, may not always be the most appropriate. Focusing on the French journalist and novelist Claude Sarraute, whose postmodern writings offer a suitable body of texts for study, this book seeks to determine effective means by which the translator can first read and analyse postmodern STs and subsequently preserve their intricacies in the TL. To provide an original response to this challenge grounded in both theoretical and practical evidence, the author refers to the work of the Bakhtin Circle; concepts from literary theory, stylistics and translation theory; and translations of a body of texts as variegated in character as those of Sarraute. Using the approach which she recommends, the author then explains how she rerenders in English a collection of Sarraute's polyphonic writings.

This book addresses a gap in the study of audiovisual translation (AVT) carried out in minority languages by exploring the role played by translations appearing on the Basque Public Broadcasting Service in the promotion and development of the Basque language. Using the framework provided by descriptive translation studies, the author illustrates the socio-cultural context of AVT in the Basque Country, focusing on the dubbing from English to Basque of television animation for children. The most innovative aspect of the book lies in its cultural and descriptive approach. Following a corpus-based descriptive methodology, the study establishes a set of criteria for a contextual and linguistic analysis that embraces both the cultural and linguistic dimensions of translation and allows source texts to be compared with their translated versions at the macro- and micro-structural levels. The book uniquely offers a broad overview of the cultural context as well as a detailed analysis of the linguistic properties of the dubbed texts.

Making a contribution to the still under-researched translation history of Verne's Extraordinary Journeys, this book examines the causes of a selection of renderings from French into English of the 1873 Jules Verne novel Le Tour du monde en quatre-vingts jours (Around the World in Eighty Days). This study integrates a number of methodologies in order to offer a comprehensive explanation of translation outcomes. It presents a diachronic investigation of the multiple interacting translation causes which have produced various retranslations of the same work. A corpus of target texts, from 1873 to 2004, is analysed in order to discover the translation strategies employed and their likely causes using Pym's (1998) model of the four Aristotelian causes of social phenomena, as applied to translation. Translators' biographical details are studied to ascertain the agency of the translator. The book addresses the difficulties encountered in uncovering biographical information on certain translators, and the considerations involved in selecting a suitable corpus of retranslated texts. It provides some understanding of the reasons for which retranslations of a canonical novel are undertaken and contributes to arguments concerning translation universals.

This edited volume showcases essays revolving around diverse translation discourses and practices in China, Korea and Japan. The contributors bring together different areas of expertise, such as the history of translation, political activism and translation, literary translation, transcreation and the translation profession.

Drawing on recent theoretical developments in second language acquisition, this book proposes a new approach to the learning of foreign languages through subtitled audiovisual input. Subtitled text is explored as a source of language acquisition, and its dialogue and subtitle components are focused on as sources of linguistic input. The primary focus of the research is subtitling and the impact it can have on learners' noticing and acquisition of linguistic structures. The concept of translational salience is introduced, a phenomenon that can occur due to an accentuated contrast between L2 dialogue and L1 subtitles. Two experimental studies on the acquisition of English syntax by Italian learners are used to test the role of translational salience in both noticing and L2 learning. The results lead to a definition of salience particular to the audiovisual medium and raise challenging issues in the pedagogic applications of subtitling.

Includes essays that cover different methodologies and objects of analysis, including traditional textual and historical approaches as well as contemporary methods, such as cultural, sociological, cognitive and gender-oriented perspectives.

This volume features current research approaches in the field of audiovisual translation (AVT) and media accessibility. It reflects on new challenges and potential avenues for investigation in traditional AVT practices as well as in media accessibility, including audio description, subtitling for the deaf and hard-of-hearing, and audio subtitling.

What does it take to be a legal translator? This volume offers a systematic overview of the diverse professional profiles within legal translation and the wide range of communicative situations in which legal translators play their roles as mediators.

Research on dubbing in audiovisual productions has been prolific in the past few decades, which has helped to expand our understanding of the history and impact of dubbing worldwide. Much of this work, however, has been concerned with the linguistic aspects of audiovisual productions, whereas studies emphasizing the importance of visual and acoustic dimensions are few and far between. Against this background, Dubbing, Film and Performance attempts to fill a gap in Audiovisual Translation (AVT) research by investigating dubbing from the point of view of film and sound studies. The author argues that dubbing ought to be viewed and analysed holistically in terms of its visual, acoustic and linguistic composition. The ultimate goal is to raise further awareness of the changes dubbing brings about by showing its impact on characterization. To this end, a tripartite model has been devised to investigate how visual, aural and linguistic elements combine to construct characters and their performance in the original productions and how these are deconstructed and reconstructed in translation through dubbing. To test the model, the author analyses extracts of the US television series Buffy the Vampire Slayer and its French dubbed version.

This collection of essays brings to the fore some of the most pressing concerns in the training of translators and interpreters, including the interconnections between didactics and research, advances in cognitive processes, quality assessment and socio-professional issues in translation and interpreting training.

Multilingual societies provide fertile ground for the exploration of translation practice. This book examines the relationship between translation-mediated multilingual practice and language ideology in Singapore, where power relations between the official languages, English and Chinese, pose challenges to intercultural communication.

Aims to study how politeness, and particularly face negotiation, is dealt with when subtitling between Chinese and English. This book offers a survey of developments in research on face management in Far East cultures and in the West. It demonstrates the nature of power relations between interlocutors changes from original to subtitled version.

Audiovisual Translation Subtitles and Subtitling

This volume offers a collection of articles by leading experts in the field that explore some of the current communication and information trends defining our contemporary world and impinging on the translation profession. The essays encourage intellectual reflection on the crucial role played by technology in the translation profession.

A glance at the current state of the profession reveals a varied scenario in which Translation and Interpreting (T&I) constitute two interlingual processes usually performed by the same person in the same communicative situation or in different situations within the same set of relations and contacts. Although both practices call for somewhat different communicative competences, they are often seen as a single entity in the eyes of the public at large. T&I are thus found in relations of overlap, hybridity and contiguity and can be effected variously in professional practices and translation processes and strategies. Yet, when it comes to research, T&I have long been regarded as two separate fields of study. This book aims to address this gap by providing insights into theoretical and methodological approaches that can help integrate both fields into one and the same discipline. Each of the contributions in this volume offers innovative perspectives on T&I by focusing on topics that cover areas as diverse as training methods, identity perception, use of English as lingua franca, T&I strategies, T&I in specific speech communities, and the socio-professional status of translators and interpreters.

This volume affords an opportunity to reconsider international connections and conflicts from the specific standpoint of translation as a dynamic, sociocultural activity. The chapters pivot around the relationships that are established between translation and ideology, re-narration, identity, cultural representation and knowledge reproduction.

Crime fiction is popular internationally despite its cultural specificity. This book offers an accessible analysis of how the choice of translation strategy can significantly affect representations of cultural identity in translations of crime fiction, identifying creative solutions for translation challenges.

Speech acts - such as requests, invitations and offers - pose particular challenges for dubbing translators due to cultural differences. This volume draws on data from over 700 episodes of twenty different television series and introduces a multidimensional model for capturing dominant patterns in translating speech acts.